Jackie is hired to help the UN find Nazi gold hidden in Sahara. He's accompanied from Spain by 2 (later 3) cute women. As there are others wanting the gold, lots of kung fu fighting and comedy follows.
A Special Agent is assigned to protect a wealthy business magnate. However, when the businessman is kidnapped in a daring ambush, he teams up with a seasoned detective to crack the case. But soon he discovers the case isn't that simple.
Keong comes from Hong Kong to visit New York for his uncle's wedding. His uncle runs a market in the Bronx and Keong offers to help out while Uncle is on his honeymoon. During his stay in the Bronx, Keong befriends a neighbor kid and beats up some neighborhood thugs who cause problems at the market. Meanwhile, one of those petty thugs in the local gang stumbles into a criminal situation way over his head. Blinded by greed, his involvement draws his gang, the kid, Keong, and the whole neighborhood into a deadly crossfire. When the lazy cops fail to successfully resolve matters, Keong takes things into his own hands. Needless to say, much spectacular kung-fu and outrageous action sequences follow....Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
Marc Akerstream, who played the role of Tony, was also one of the stunt drivers, plus was engaged in the production of "auto-moto" action in the film. See more »
When Keung kicks the glass bottles off the pool table, there's no sound of the bottles hitting the floor. See more »
Don't ever make trouble here. Or I'll beat you up each time. Careful, mind the step.
See more »
Outtakes of the stunts performed, the stunts that went wrong, the injuries and funny scenes. See more »
The Malaysian version is somewhat similar to the Hong Kong version. However, there are some cuts for profane language and gestures, and in one scene, features substituted shots, in which Angelo has his pants up as he moons Keung. Some characters who spoke English, are occasionally dubbed in Cantonese. See more »
I'd guess you'd have to call 'Rumble in the Bronx' an extreme example of a guilty pleasure. Though back in the 1990s, it was not my first introduction to Jackie Chan (the inferior 'Supercop' was) it was the one that got me hooked on his work. All the way through this viewing – the first in many years, the word "silly" kept popping up in my mind. It's dialogue, acting, stereotypes and shoddy cop work was so hilariously bad, I could only think this had to be written by someone who's only contact with the U.S.A. involves watching old 1970s cop hour-long dramas. And while some scenes were actually funny (SEE: the wrench threat) some were downright unintentionally funny (SEE: the toddler-toss and the entire closing on the golf course.) Leaving all that negative behind, it was an extreme joy watching Chan perform his own stunts in many, many inventive ways while simultaneously creating a very human and good-hearted character. The stunts were simply amazing and if one were to watch today for the first time, they need to know: he did them all himself, without a green screens, cables, etc. As arrogant as Chan is – I've read his biography, it's dripping with arrogance, he does have great gifts in originality, showmanship, pride in his work and making sure he never uses traditional American trickery/stunts. (This changes later in his work, when he was forced and got older, but this work and ones around it were all pure Chan.) Synopsis: Good-natured nephew Chan visits NYC and gets thrown in extraordinary circumstances: fighting both gangs and mob bosses while helping 2 women, his Uncle and a handicapped child. All that's irrelevant; what matters is once the action starts, it never lets up. And with an open-mind, what a fun rumble you'll have.
Side Note: Wow.. not only was it painful for all the actors to get hurt during production (not to mention the roughly 16 dozen vehicles) it was also gut wrenching to watch the closing credits that showed mostly the unintentional crashes, broken bones, etc. You really have to hand it to the devotion of the crew, cast and Chan. Definitely Chan. My comments about his arrogance does not mean I don't admire the man, especially his extremely poor and underprivileged beginnings to the entertainer he became. He's one of the very few actors/action stars that no matter how incredibly silly his movies look to me – it has to be a culture thing, it's always a rush to see how long his fight scenes last, how inventive he becomes and simply how exciting they are.
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