When the menace known as The Joker emerges from his mysterious past, he wreaks havoc and chaos on the people of Gotham. The Dark Knight must accept one of the greatest psychological and physical tests of his ability to fight injustice.
Jules Winnfield (Samuel L. Jackson) and Vincent Vega (John Travolta) are two hit men who are out to retrieve a suitcase stolen from their employer, mob boss Marsellus Wallace (Ving Rhames). Wallace has also asked Vincent to take his wife Mia (Uma Thurman) out a few days later when Wallace himself will be out of town. Butch Coolidge (Bruce Willis) is an aging boxer who is paid by Wallace to lose his fight. The lives of these seemingly unrelated people are woven together comprising of a series of funny, bizarre and uncalled-for incidents.Written by
The movie that Lance is watching when Vincent arrives with overdosed Mia is The Three Stooges short Brideless Groom (1947). Quentin Tarantino is an avid Three Stooges fan, but couldn't get the rights from Comedy III to show them in the movie. So while a Three Stooges film appears on-screen ("Brideless Groom" is public domain), the Three Stooges themselves do not. Emil Sitka, the frequent Three Stooges co-star, who does appear on-screen, is credited as "Hold hands you lovebirds". See more »
(at around 1h 40 mins) Butch's hand positions switch between shots when holding the chainsaw. See more »
Forget it. Too risky. I'm through doing that shit.
You always say that. That same thing every time, "I'm through, never again, too dangerous".
I know that's what I always say. I'm always right, too.
But you forget about it in a day or two.
Yeah, well the days of me forgetting are over, and the days of me remembering have just begun.
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The coffee shop manager in the robbery scene at the end is credited as "Coffee Shop" because he is cut off as he speaks: "I am not a hero, I'm just a coffee shop--" See more »
A Special Collector's Edition has been released on video in the Spring of 1996. This edition includes a supplementary 11-minute section that features director Quentin Tarantino introducing two never-before-seen scenes, not included in the original theatrical release. The two scenes are as follows:
Vincent Vega and Mia Wallace's first encounter in her apartment is longer. Before leaving to have dinner to the Jackrabbit Slim's, Mia interviews Vincent while shooting with a hand-held video camera. Mia asks Vincent if he's related to folk singer Suzanne Vega and then proceeds with a series of trivia-like questions on his personal preferences ("Brady Bunch or the Partridge Family?") and asks him if he's an "Elvis man or a Beatles man". This explains a later comment ("An Elvis man should love this") that Mia makes in the theatrical version.
The taxi ride and conversation between Butch and driver Esmarelda are longer and there's additional dialogue where Butch explains his feelings about being a boxer and killing his opponent Floyd.
Pulp Fiction, despite borrowing from just about every movie ever made, is the most invigorating cinema experience a filmgoer can ever hope for. Its hodgepodge of violence, mayhem, and generally deviant behavior is an assault on the senses, not to mention political correctness. However, despite all the film's cleverness and style, it hinges on the performance put forth by Samuel L. Jackson as Jules. The fact that he was denied an Oscar is a downright shame. Martin Landau, the best supporting actor winner that year, was terrific and funny in Ed Wood, but Jackson was perhaps the most commanding screen presence in film history as the bible-quoting, godfearing hitman. The last scene in the coffee shop with Tim Roth still sends chills down my spine, no matter how many times I've seen it. Rumors of a prequel involving Jules and Vincent (John Travolta) have been floating around lately. If Quentin Tarantino wishes to regain the fans he lost with the dissapointing (but still pretty good) Jackie Brown, he should get to work right away. I'll be the first in line to see the finished product.
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