In 1920s and 1930s New Zealand, Janet Frame grows up in a poor family with lots of brothers and sisters. Already at an early age she is different from the other kids. She gets an education ... See full summary »
Ruth's been brainwashed by a guru in Delhi, India. Her parents in Sydney hire a specialist in reversing this. Ruth is tricked to return to Australia and is isolated in an outback cabin with the specialist. It gets messy.
It is the mid-nineteenth century. Ada cannot speak and she has a young daughter, Flora. In an arranged marriage she leaves her native Scotland accompanied by her daughter and her beloved piano. Life in the rugged forests of New Zealand's North Island is not all she may have imagined and nor is her relationship with her new husband Stewart. She suffers torment and loss when Stewart sells her piano to a neighbor, George. Ada learns from George that she may earn back her piano by giving him piano lessons, but only with certain other conditions attached. At first Ada despises George but slowly their relationship is transformed and this propels them into a dire situation.Written by
Patrick Dominick <firstname.lastname@example.org>
When the boat leaves the island, Ada trails her hand in the water, which is still and calm. On long shots, it is foaming from the action of the oars, and the boat on the water. See more »
The voice you hear is not my speaking voice - -but my mind's voice. I have not spoken since I was six years old. No one knows why - -not even me. My father says it is a dark talent, and the day I take it into my head to stop breathing will be my last. Today he married me to a man I have not yet met. Soon my daughter and I shall join him in his own country. My husband writes that my muteness does not bother him - and hark this! He says, "God loves dumb creatures, so why not I?" '...
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Can someone explain to me why "The Piano" ain't in the IMDb top 250 and, for example, movies like "Sin City" or "Crash" (!!!!!!!!!!) are????????????? This movie,is,by far, one of the most delicate and intelligent ever; it softly touches you, emotionally AND physically, for the filming and the photography are exceptional. Actors in it are troubling, beautiful and so... beautiful(again,i know)! Holly Hunter, who plays a mute piano goddess and manages with her not enough known acting skills to express more with her eyes,her grace and her tiny hands than 100 Gwyneth paltrows put together!!!(no offense,i much enjoyed Shakespeare in love,but,come on...)Harvey Keitel in this broken-hearted warrior/peasant role is more than touching;love embraces him as it embraces us,viewers. Still, Jane Campion avoids the unfortunately fashionable arrogant and tutorial directors touch (oscar for best movie, Crash?????? where the hell are we??????) and lets the viewer flow on his own in this huge ocean of naked and oh so true feelings and respects the pain and/or the anger (Sam Neil,probably the only role in his carrier that shows his great talent) of her clearly beloved characters.Landscapes,seashores,humid forests,mud,rain: nature, as well as human nature, are captured by Campion's eyes and heart in the most sensitive and unartificial way. And, of course, Michael Nyman's score,which, once heard, becomes a part of you. Yes, definitely, the heart asks pleasure first. So treat your hearts and eyes with this unique and sensual Chef d'oeuvre.
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