A Victorian surgeon rescues a heavily disfigured man who is mistreated while scraping a living as a side-show freak. Behind his monstrous façade, there is revealed a person of kindness, intelligence and sophistication.
As the American Civil War continues to rage, America's president struggles with continuing carnage on the battlefield as he fights with many inside his own cabinet on the decision to emancipate the slaves.
Retired Old West gunslinger William Munny (Clint Eastwood) reluctantly takes on one last job, with the help of his old partner Ned Logan (Morgan Freeman) and a young man, The "Schofield Kid" (Jaimz Woolvett).
Young Belfastian Gerry Conlon admits that he was in London at the time of the incident. He also admits that he is not a model citizen, having committed a petty robbery while in London. He does however profess his innocence when it comes to the bombing of the Guildford Pub in London in 1974, the event which killed several people inside. A self-professed non-political person, he and his three co-accused, dubbed the Guildford Four, are thought to be provisional members of the IRA. Their self-professed innocence is despite each having signed a statement of guilt which they claim were signed under duress. Their case includes having provable alibis for the time frame of the bombing. And eventually, Joe McAndrew, a known IRA member, admits to the bombing. Dubbed the Maguire Seven, seven others, primarily members of Gerry's extended family including his father Giuseppe, are accused of being accessories to the bombing. Following on the work initiated by Giuseppe, Gerry works on a campaign to ...Written by
Gerry Conlon struggled to come to terms with life after prison and developed serious drug, alcohol and mental health problems. Although he eventually recovered he died from lung cancer aged 60 in 2014. Carole Richardson (who was only 17 at the time of arrest) eventually married and had a child, living the rest of her life in obscurity, until, in 2012 it was announced she had died aged 55. No other details were given. See more »
At the end, Gerry's shirt is one color when he walks out of the courtroom and a different color when he talks to reporters outside. See more »
[after hearing of his father's death]
[With tears in her eyes]
Well, I think they ought to take the word 'compassion' out of the English dictionary.
See more »
Dedicated Follower of Fashion
Performed by The Kinks
Written and Composed by Ray Davies
Used by kind permission of Davray Music Ltd. and Carlin Music Corp.
Courtesy of Castle Copyrights Ltd. See more »
A film fully deserving to be in IMDb's top 250, Jim Sheridan's "In The Name of the Father" is an excellent piece of work. Based on a true and very touching story, the film recounts the story of Gerry Conlon (Day-Lewis) who is wrongly accused as an IRA terrorist. Not only are the police bending the facts to prove their case, but in the process they also implicate members of his friends and family, including his father Giuseppe (Postlethwaithe) whose health condition is rather frail. Gerry is a rebellious and mildly delinquent boy who does not seem to have grown up, and his attitude toward his father is not the appropriate one; however, as they start to go through the ordeal together, Gerry gradually matures, and starts feeling a deep affection and respect for Giuseppe.
The story is heart-breaking and shocking at the same time, all the more so when one realizes that these things actually DID happen. Although there have been some minor modifications for the purpose of the film, the backbone of the story is left completely intact.
The two protagonists, Daniel Day-Liewis and Pete Postlethwaithe are delivering powerful performances, and they both deserved the Oscar hands-down. However, it would be unfair not to mention that virtually everyone in the film is great in his/her role.
Jim Sheridan's direction is also very good, giving the plot a fair and balanced perspective; although the film might initially appear as pro-Irish / anti-English, in fact I consider it as quite objective. Granted, it vividly shows that some key figures in the London police were profoundly biased and manipulated maliciously the case against the Conlons; yet, it also shows that English public attitudes turned highly supportive for the Conlons' freedom when it started to become clear that they were not the culprits for the atrocities they had been charged with. We have always to remember that the film depicts a period of big tensions, with emotions running high to levels of hysteria, so we have to understand the events within this context.
Of course, what happened to the Conlons is totally deplorable and unjustifiable; and it is real shame that the people who conspired against them have not been punished yet for their crimes. Still, one should understand the hostile attitude shown by those who were not part of this conspiracy (such as the judge, for example), who were influenced by the climate of terror and the outrage of the public. The Conlons had the terribly bad luck to be at the wrong place, in the wrong time, and with the wrong nationality; the also have the great misfortune to be captured by people who in their quest to show results were shamelessly willing to risk indicting people who could possibly be innocent.
"In the Name of the Father" is a fantastic film, which one should not miss. 10/10.
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