The four and 1/4 hour depiction of the historical and personal events surrounding and including the decisive American civil war battle features thousands of civil war re-enactors marching over the exact ground that the federal army and the army of North Virginia fought on. The defense of the Little Round Top and Pickett's Charge are highlighted in the actual three day battle which is surrounded by the speeches of the commanding officers and the personal reflections of the fighting men. Based upon the novel 'The Killer Angels'.Written by
Keith Loh <firstname.lastname@example.org>
A re-enactor suffered a mild heart attack while shooting Pickett's Charge, and was brought to a local hospital. When he sufficiently recovered, Ted Turner brought him back to the set in his personal limo to watch shooting of the film. Sadly, the man died several days later. See more »
During Lee's planning session at the beginning of the second day, he shows a map with obvious modern printing. The neatly printed double lines of red rectangles representing the position of the Confederate troops is a convention that originated with maps produced for printed works during the war. There was no time during a battle for such neat printing, and those markings would make the map less usable in the future. See more »
[Buford's cavalry has sighted the Confederate army on the evening of June 30]
You know what's gonna happen here in the morning?
Col. Thomas C. Devin:
Whole damn Reb army's gonna be here. They'll move through this town, occupy these hills on the other side, and when our people get here Lee'll have the high ground, and there'll be the devil to pay! The high ground! Meade'll come in slowly, cautiously, new to command. They'll be on his back from Washington. Wires hot with messages. "Attack! Attack!" So he will set ...
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Laserdisc Collector's Box Set is 271 min. Contains many scenes not in the standard release. The standard VHS release does not include these scenes, as the theatrical release did not. See more »
GETTYSBURG, based on Michael Shaara's bestseller, "The Killer Angels", is a truly remarkable film, in it's clear, if long, presentation of the Civil War's bloodiest, best-known, yet least understood battle, in it's 'humanizing' of the almost legendary characters of the period, and, most amazingly, for being filmed at the actual locations where the actions took place, in Gettysburg, itself. From Little Round Top to Seminary Ridge, you see the events where they actually occurred, 140 years ago. It is a singular achievement, and Ted Turner deserves credit for making it happen.
Two characters dominate the film; Jeff Daniels, in one of his finest performances, is a likable, totally believable Col. Joshua Lawrence Chamberlain, the Maine ex-schoolteacher who would win the Congressional Medal of Honor; and Tom Berenger, sporting a huge, bushy beard, is a sympathetic 'voice of reason' as Confederate Lt. Gen. James Longstreet, successor to "Stonewall" Jackson as Robert E. Lee's field commander. Chamberlain and Longstreet provide the film it's focus, as honorable men attempting to fulfill their duty, while the carnage builds around each of them.
Other memorable performances include Sam Elliott, in a brief but memorable cameo as Brig. Gen. John Buford, the battle-hardened cavalry commander who initiates the battle after guessing the Confederates' objectives at Gettysburg; Richard Jordan, in one of his last appearances before his untimely death, as Brig. Gen. Lewis A. Armistead, facing his best friend in battle; Kevin Conway, as Chamberlain's gruff but likable Irish First Sergeant, Sgt. 'Buster' Kilrain; C. Thomas Howell as Lt. Thomas D. Chamberlain, Joshua's brother, who creates a sense of familial concern for Daniels; and Stephen Lang (who would go on to play Thomas "Stonewall" Jackson in GODS AND GENERALS), as an ever-confident, ebullient Maj. Gen. George E. Pickett.
In the pivotal role of Robert E. Lee, Martin Sheen is less effective, lacking Lee's well-documented charisma, and substituting constant world-weary gazes for characterization. Robert Duvall, who assumed the role in GODS AND GENERALS, would be far more credible as Lee.
The sheer numbers of the battle are staggering; over 150,000 combatants, with 53,000 dead, more in a single three-day engagement than were lost during the entire war in Vietnam. The armies of actors, extras, and recreators could not nearly match those numbers, yet the film effectively conveys the immensity of the conflict. The tactical errors (Lee's decision, on the third day of battle, to order Pickett's suicidal charge into the Union guns; Meade's decision, drawing the fury of President Lincoln, to allow the Southern survivors to return home without further slaughter, while a humane gesture, probably lengthening the war) are presented within the context of of the overall conflict, providing the viewer with justification for their decisions.
Director Ronald F. Maxwell presents a complex, fascinating tapestry in GETTYSBURG, and it is not a film you will soon forget!
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