Nick is a feckless television salesman who gets fired and impulsively decides that he and his girlfriend, Beth, will move to Butte, MT, which he's read is "the city of the future." "I read ...
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While in prison, Jack had two momentous experiences: he got religion, and met the woman who would become his wife. He and Alison are devoted to the idea of staying in God's good graces, so ... See full summary »
Jack comes back to town for his brothers funeral and finds things have changed. His brothers suicide is a little suspicous and he begins to investigate. A developing relationship with his ... See full summary »
An orphaned boy who lives near a freeway rest stop in Milan tries to steal from a tourist bus, hides under a seat and inadvertently travels to Switzerland. There he helps a suicidal ... See full summary »
Georges Nicolas Hayek
Bristol, England, early 19th century. A beautiful young stranger who speaks a weird language is tried for the crime of begging. But when a man claims that he can translate her dialect, it ... See full summary »
Dostoevsky-inspired drama set in 1900s Prague about a bored arrogant playboy who spends time seducing other men's wives and dueling. He begins an affair with his friend's wife, but falls in love with her. She becomes pregnant. Is it his?
In the Victorian period, two teenagers, David and Sarah, travel with a caravan from Baghdad to Damascus. At an oasis, the white slave agent known as the Jackal raids them, mainly to add the... See full summary »
Ten years later, after ratting on his old mobster friends in exchange for personal immunity, two hit men drive a hardened criminal to Paris for his execution. However, while on the way, whatever can go wrong, does go wrong.
In Germany, an old man attacks another old man and is arrested. The attacker refuses to speak. A female lawyer is appointed to him. She discovers that the attacker has numbers tattooed on his arm and the attacked man was a German officer.
Valentine Casey is a U.S. Marshal in the desolate Tucson territory of the early 1900s. On Christmas Eve, his outlaw family pays him a disturbing visit. He must confront the sins of his past... See full summary »
Billy Bob Thornton,
In Corinth, a dying town 15 miles from Pittsburg: One evening, a Japanese businessman, who wanted to tear down the closed iron mills to build an amusement park, is found half dead in his ... See full summary »
Nick is a feckless television salesman who gets fired and impulsively decides that he and his girlfriend, Beth, will move to Butte, MT, which he's read is "the city of the future." "I read that a while ago, so the future should be there by now," he enthuses. He waits until the last moment to tell Carol, his ex and Beth's best friend, about the move. While Nick is working his last day, Sid comes to the couple's house to paint it for the next tenants. He quickly develops an interest in Beth. He, Beth, and Carol get stoned and hang out. When Sid hears about the move, he tells Beth that he's never left Enfield, and has no interest in traveling. Meanwhile, Nick decides to take off on his own. When Beth gets word of this from Carol, she finds solace in Sid's arms. Sid proclaims his love the next morning, and implores Beth to stay. Meanwhile, Nick visits his childhood home, looking for his parents, has an epiphany, and decides to return to Carol.Written by
In the end credits there is a special thanks to Harvey Keitel. He was not involved in the movie as such, but he made a very important phone call to Tim Roth. Roth had been offered a big and well paid part in a big budget film immediately before this low budget independent film was to begin shooting. Harvey Keitel made a phone call to Roth, giving him the following advice "Don't take the money. Take the film you really want to make". So Roth stayed with this project. See more »
I stumbled across this little piece of fluff on IFC television last night. It had a cast worth checking, so in spite of IFC's unhopeful two star rating, I settled in to watch. What an odd little film.
The actor's performances were good -- very natural in terms of their interactions and relationships. The pace was a tad slow -- while I don't think movies need fist fights and explosions to create pace, a dialog-intensive film needs to beware of ......................... long..................................pauses. Still, that is a minor criticism in my view. If that was the only flaw in the film, I could and would have given it a higher rating because for the most part the actors handled those dialogic gaps pretty well.
The worse problem with this film was its failure in my view to address the fundamental "So what?" question. I was never given any reason to care a whit about any of these characters, with the limited exception of Beth (Bridget Fonda) whom I was hoping would get the hell out of Enfield. After she left, I rooted for her not be found by the pseudo-intellectual painter, Sid. Beth had made a couple of very bad choices, with the amoral Nick (Tim Roth) and the vacuous pop-psychologist, Sid, so I was rooting for her to stick to her guns, enjoy the moments of pleasure she had with Sid, and get away before her brain turned entirely to mush. Either Nick or Sid would have destroyed her: Nick with his amoral outlook and lack of direction; Sid with his pretensions of profundity that he used to shield his fundamental lack of imagination and ambition.
Still, I didn't care a helluva lot about Beth either. She made the right decision (finally), but her escape was not a complete triumph because for all we know she fell into yet another destructive relationship with some other needy weirdo two towns over.
All of these characters, in the end, were drifting along in pointless situations. With a film so lacking in plot, brevity was important and, thankfully, present. If this movie had pushed toward the two-hour mark, it would have been an utter waste of time unless the time had been used to give the viewer a reason to care about this crew of self-indulgent dim-wits.
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