A cybernetic warrior from a post-apocalyptic future travels back in time to protect a 25-year old drifter and his future wife from a most advanced robotic assassin and to ensure they both survive a nuclear attack.
In 1985 where former superheroes exist, the murder of a colleague sends active vigilante Rorschach into his own sprawling investigation, uncovering something that could completely change the course of history as we know it.
Jackie Earle Haley,
After the devastating events of Avengers: Infinity War (2018), the universe is in ruins. With the help of remaining allies, the Avengers assemble once more in order to reverse Thanos' actions and restore balance to the universe.
Robert Downey Jr.,
In 2018, a mysterious new weapon in the war against the machines, half-human and half-machine, comes to John Connor on the eve of a resistance attack on Skynet. But whose side is he on, and can he be trusted?
Over 10 years have passed since the first robot called The Terminator tried to kill Sarah Connor and her unborn son, John. The man who will become the future leader of the human resistance against the Machines is now a healthy young boy. However, another Terminator, called the T-1000, is sent back through time by the supercomputer Skynet. This new Terminator is more advanced and more powerful than its predecessor and its mission is to kill John Connor when he's still a child. However, Sarah and John do not have to face the threat of the T-1000 alone. Another Terminator (identical to the same model that tried and failed to kill Sarah Conner in 1984) is also sent back through time. This Terminator has been reprogrammed by the future Resistance on the orders of adult John. This Terminator's mission is to protect John and Sarah Connor at all costs. The battle for tomorrow has begun.Written by
Cameron shot the movie with two colors used as lighting and filtering: orange and blue. Orange was the color of humanity while blue was the color of machines. This was brought to a head in the steel mill finale, where humanity (and a humanized Terminator) makes its final stand against the machines. The orange hues of the molten steel (which would destroy the machines) was filmed opposite of the cold blue of the machinery around it. See more »
When outside the Cyberdyne vault, you need to turn the keys simultaneously to unlock the vault. Dyson and the security guard do not turn them at the same time. See more »
Three billion human lives ended on August 29th, 1997. The survivors of the nuclear fire called the war Judgment Day. They lived only to face a new nightmare: the war against the machines. The computer which controlled the machines, Skynet, sent two Terminators back through time. Their mission: to destroy the leader of the human resistance, John Connor, my son. The first Terminator was programmed to strike at me in the year 1984, before John was born. It failed. The ...
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The version shown on the WB deleted all explicit profanity. Also deleted were the shots of the T-1000's spike impaling the guard through the eye, the foster father's death (it simply cut to the shot where the blade is pulled out), the trucker getting impaled by the T-1000's blade, the biker getting the knife stabbed into him, the T-1000's nudity, and the guards do not spurt blood when shot in the knees. The version shown on the Sci-fi channel deleted the T-1000's nudity and edited out the profanity quite well. All though it left the spike impalement scenes in it deleted the scene where the T-800 stabs the biker and breaks his arm. See more »
Terminator 2 perhaps shows that Cameron was at least was cognizant of life and its meaning. I mean, this IS the movie where the end of the world has the most impact outside of Dr. Strangelove, right? One of those outstanding dream scenes in movies, one of the ones that actually works because it's true in its savage simplicity, Linda Hamilton's Sarah Connor sees herself in her 1984 waitress get up with baby John in a playground and then everything gets wiped out by the BIG BOMB (Dmitri) that also incinerates Hamilton into BBQ.
So it's with this kind of thought that Terminator 2 means to be the most kick-assingest blockbuster of its (or all?) time while trying to keep the loss of life very small - or, rather, the "Bad" Terminator who was designed by the wizards at ILM can kill to its mission's content - I mean, DAMN, it still looks great, and in its silver-liquid-chrome simplicity much more, for me, impressive than the clanging junk of Bay disasters. It's arguable, of course, that the Terminator (T-800) does kill some people, incidentally, or, you know, all that gas from the gun he shoots could make some people really screwed up but, hey, "He'll live" is enough.
But if Cameron is "soft" at all here, it doesn't show too much... well, okay, Lil' John (hehe) does squeak and squak those early 90's amorphisms "No Problemo - chill out - listen to Kriss Kross - etc", and Edward Furlong is one of the things that just does not hold up here. He's serviceable at best, annoying at worst. He can cry okay though.
But it's Arnold, in his swaggering low-key and then with an occasional grin awesome leading man turn, and especially Linda Hamilton who make this tight script so compulsively watchable. Hamilton makes Connor into what Cameron likely saw in his one-time wife/collaborator Bigelow - a take-no-prisoners soldier who can take charge and has muscles and can probably knock you upside the head (maybe that's why they divorced, he couldn't take all that woman... but I digress, at any rate he moved around a lot till his current wife) And there is also a vulnerability still to Sarah that makes her so endearing.
She can never be completely hard, though time and experience and the dread of what's to come had scarred her, so by the time she has the chance to kill the Man Who Destroys The World, she can't do it. A scene like that is probably more emotionally gripping than so many other scenes that try in these blockbusters (something like Days of Future Past, which is a cousin of this flick, gets there). The fact Hamilton wasn't able to parlay such high caliber performance work into a better career is kind of sad, but at least this stands as a benchmark of a woman action hero, one of the two Cameron Wonder Women really.
So, blast your Guns N Roses, say hi to the kid from Salute Your Shorts (that's him, right, Connor's friend in the first act?) and ride your motorcycle through LA - it's a bad mother-jammer of a blockbuster that holds up enough to look over its faults (i.e. some dialog isn't tight, like the voice-over, it's alright but whatever - perhaps it was ambitious enough to best The Perfect Action Movie, which the first Terminator just was).
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