A nameless young character goes into travels to the country, meeting some acquaintances and strangers as well, having banal conversations, dedicating his existence into daily mundane ... See full summary »
Presents a day in the life in Austin, Texas among its social outcasts and misfits, predominantly the twenty-something set, using a series of linear vignettes. These characters, who in some manner just don't fit into the establishment norms, move seamlessly from one scene to the next, randomly coming and going into one another's lives. Highlights include a UFO buff who adamantly insists that the U.S. has been on the moon since the 1950s, a woman who produces a glass slide purportedly of Madonna's pap smear, and an old anarchist who sympathetically shares his philosophy of life with a robber.Written by
Rick Gregory <email@example.com>
The passage read by "Guy Who Tosses Typewriter" is from James Joyce's Ulysses. See more »
The taxi cab that Linkletter's character gets into at the Trailways station is not the one he later gets out of near campus. The second one has a different unit number, a No Smoking sign, and a missing whitewall tire. See more »
Should Have Stayed at Bus Station:
[babbling to silent cab driver]
Man, I just had the weirdest dream - back on the bus there? Did you ever have one of those dreams that are completely real. I mean they're so vivid. It's just like completely real. It's like, there's always something bizarre going on, though. I have one about every 2 years or something. I always remember 'em real good. Like there's always someone getting run over, or something really weird. Um, one time I had lunch with Tolstoy. Another time I was a ...
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Extreme boredom leads to fascination. Like sands in the hourglass so is this day in the lives of several bohemians living in Austin, TX in 1990. You'll either be bored to tears or fascinated to no end.
If you've ever been to Austin, or spent a sleepy summer in a college town like Lawrence, KS or Madison, WI, then you'll appreciate the parade of pseudo-intellectuals and good-natured conspiracy theorists that provide much of the grist for the script. These offbeat characters and wonderful dialogue make this film memorable.
Remember the traumatized yacht owner in the greasy-spoon diner or the older dude with the toupee from the coffee shop? 'We've been on Mars since the 50's', he says. I loved the loser with the TV strapped to his back and the older guy who found an armed robber in his house, only to take him for a stroll and a friendly chat (about Charles Whitman). I also enjoyed the menstrual-cycle stone garden and the fortune-telling hippie chick with the black eye who was having 'a breakthrough day'. Nearly every conspiracy theory in modern pop-culture is paid lip service during the film. That's a lot of sophistry and navel gazing to be sure!
Not every character is a gem. The Madonna pap-smear girl gets more annoying with every viewing. But I recommend this film for its originality and understated comedic themes.
Much has been made of the tangent approach to the story telling. I think the technique runs out of steam about three-quarters of the way into it. In other words, it's about 20 minutes too long. Still, it's a fun movie!
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