Danny O'Brien is back in action fighting the notorious Simon Moon, also known as The Terror. Three years earlier O'Brien had single-handedly captured The Terror and was called Hero by the ... See full summary »
Shatter and Jackson, two Chicago police officers, are investigating the brutal murder of a rabbi and are summoned to Israel for questioning. While they are in Israel they continue their ... See full summary »
Prequel to the first Missing In Action, set in the early 1980s it shows the capture of Colonel Braddock during the Vietnam war in the 1970s, and his captivity with other American POWs in a brutal prison camp, and his plans to escape.
Sean Kane is forced to resign from the San Francisco Police Department's Narcotics Division when he goes berserk after his partner is murdered. He decides to fight alone and follows a trail... See full summary »
After surviving an attempt on his life by his former partner, officer Cliff Garrett (Norris) exacts revenge on those who wronged him by going undercover as a hit man. He works to gain the reputation and trust needed in order to be accepted by the burgeoning Seattle-area criminal underworld, but it is all done in order to take it down from within.Written by
When the woman gets shot in her car through the driver's window, the window breaks before the bad guy pulls the trigger. See more »
You! Fuck! Motherfuck!
[Hassan reaches for a pistol in the waistband of his pants, Garret blows him away with his shotgun. Hassan flys through the air and crashes through a window]
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On The Road Again
Written by Floyd Jones and Alan Wilson
Performed by Andy Prieboy
Courtesy of Dr. Dream Records, Inc.
from the album "...Upon my Wicked Son"
Used by arrangement with Frederick Music Company and EMI Unart Catalog Inc. See more »
Nearly every film that Norris starred in from the mid 80s through to the 90s was under the production company 'Cannon'. Is that a bad thing? No not really, as long it delivered on the goods that we expected. They were mainly cheap, but quite violent and senseless entertainment. However there's something about "The Hit-man" that makes me think much more highly of it than I probably should. It passes the time, but this Norris actioner provides a solidly calm performance, which is maybe his best or actually most suited. His beard is in full flight, but he also sports a gratuitous mullet and dangerous looking trench coat. It's definitively my favourite of those mainstream humdingers that he was chalking up through the measly 90s. Norris' brother Aaron (who directed Chuck in some other flicks) was in the director's chair and this would be his most accomplished piece. The premise is transparently black n white (if vague), but it's the calculatingly dark, risky and lean tone which I fancied. It kind of reminded me of J. Lee Thompson's "Death Wish 4: The Crackdown (1987)". Sure it can get over-sentimental with a flabby and pointless subplot involving a 'young nice boy' living next door to Norris. But this plot device (in a surprisingly story-bound presentation) gives Norris' character a humane element to counter-pouch that cold, fearless nature driving him to complete his job. Amongst this moral interruption, it can be rather offensively racist, mean-spirited and brutal in its staged barbaric violence that's broken out in the crime underworld. As double crossings, secret meetings and vicious set-ups plague the get-up. It doesn't really focus on Norris' martial arts abilities, as it doesn't get much of a show-in with him preferring to use his punishing shotgun. Get ready for a bloody onslaught with smarting wise-cracks! Aaron Norris' hardboiled direction is brisk, gritty and accordingly sombre in its grungy atmospheric charges leaking from such moodily shot-on locations. Some rousing suspense can be detected too. Joel Derouin's music score really does skew back to those saucily cruising, but uneasy jazz scores of the 70s. The support cast offer able assistance with their parts. Michael Parks memorably nasty, thuggery performance is a blast whenever his on screen.
An edgy, hard-hitting Norris entry that at least tries be something a little more different.
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