It's a hot summer day in 1933 in South Philly, where 12-year old Gennaro lives with his widowed mom and his ailing grandpa, who sits outside holding tight to his last quarter, which he's ... See full summary »
Mary Elizabeth Mastrantonio,
Johnny on his release from his jail joins the restaurant where Frankie works. Johnny discovered his talent for cooking when in jail. Love at first sight bites Johnny on seeing Frankie. He makes direct attempts to get her heart. But deep a wound in Frankie's heart would not let her give her heart to Johnny. Johnny's divorced wife and kids have moved to a new world of a different person. Frankie opens up her tragic story and Johnny promises to be with her in difficult times.Written by
Thejus Joseph Jose
The casting of Michelle Pfeiffer was met with some negativity as many felt the actress was too beautiful to play such a damaged and plain character. However, while the film wasn't an enormous hit, Pfeiffer's performance was widely-praised and the actress was nominated for a Golden Globe as a result. See more »
When Frankie and Johnny first attempt to sleep with each other, Frankie is seen trying to remove her left shoe with her bare right foot. The right shoe is shown on the bed, already off. In the next shot, Johnny is taking the right shoe off. See more »
[shows Johnny a scar on her neck]
The man I was with... he did this with a belt buckle. He's the reason I can't have kids. He, uh... he knocked me around while I was... pregnant.
I lost the baby.
[gently kisses the scar]
It'll never be gone.
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A romantic, popcorn-and-wilted-roses kind of comedy-drama...
You have to give the filmmakers credit: they did attempt to deglamorize Michelle Pfeiffer to fit into Kathy Bates' off-Broadway role of a waitress with no prospects who finds herself attracted to the new cook at the restaurant. Michelle's innate sparkle manages to shine through the dowdy clothes and plain-Jane appearance, and yet the miraculous thing is, her casting doesn't hurt the movie and her performance is one of the best things about "Frankie and Johnny". Pfeiffer and Al Pacino are a good screen match, and if they don't especially resemble the characters they're playing, they at least don't throw the tone out of whack (this is a Garry Marshall movie after all, so it's bound to have a bumpy narrative). Terrence McNally's play was about hard truths and sex on a low income; this is a big, charming commercial comedy-drama, directed with energy but no real flair. Pacino lays on the Prince Charming-pizazz a bit heavily, and Nathan Lane works overtime at being adorable as the proverbial gay best friend, but it certainly isn't a bad movie. It works on a certain level, even if it doesn't resemble reality or the original play. *** from ****
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