Eddie has locked himself away in the toilet and Richie finds he's been inventing gadgets and only to find himself joining Eddie on a adventure through time and space on-board Eddie's time machine "The Turdis" which is a toilet cubicle.
Richie buys an inflatable doll named Monica as his lover, and he tries to conceal it from Eddie. But it all goes terribly wrong when Richie accidentally super glues Monica to his groin, mistaking Eddie's super glue for Handcream.
A young woman who's attempting to find her place in the world battles with her controlling mother and a womanizing husband finds comfort and confusion with the appearance of her childhood friend. It is a zappy movie that emphasizes self-actualization.Written by
PolyGram and Working Title Films did not have US distribution divisions at the time and were both struggling to find a US distributor to sell the film to. They showed a rough cut of Drop Dead Fred to various US distributors including Orion Pictures, Triumph Films, The Samuel Goldwyn Company, Vestron Pictures, TriStar Pictures, MGM/UA, and 20th Century Fox. All of whom turned it down as some of them either didn't like it or made unsatisfactory offers to PolyGram and Working Title. They even brought it to The Geffen Film Company. But they turned it down because they felt the movie was a rip off of Beetlejuice (1988), which Geffen distributed 3 years earlier. PolyGram and Working Title then showed Drop Dead Fred to Miramax Films. Rik Mayall, producer Paul Webster, director Ate De Jong and co-writers/co-executive producers Carlos Davis and Anthony Fingelton had a meeting Miramax co-founder/executive Harvey Weinstein. Weinstein liked the movie and was a fan of Rik Mayall and wanted to distribute it as Miramax had also bought The Tall Guy (1989) from Working Title 2 years earlier. But Mayall, Webster, De Jong, Davis and Fingleton felt that Miramax's offer to PolyGram and Working Title wasn't enough. Finally, Working Title executive Tim Bevan suggested showing the film to New Line Cinema as they had sold both Chicago Joe and the Showgirl (1990) and Fools of Fortune (1990) to them. De Jong, Webster, Davis and Fingleton showed the film to New Line CEO Robert Shaye along with fellow executives Michael DeLuca, Sara Risher and Gerald T. Olson. Shaye, DeLuca and Olson hated the movie with Shaye allegedly calling the movie "horseshit". But Risher was the only one who liked the movie. She felt that the character of Drop Dead Fred was a comedic reversal of Freddy Krueger in their A Nightmare on Elm Street (1984) franchise. New Line at that time was also trying to find another "Freddy Krueger" character, as they were ending the Nightmare on Elm Street franchise with Freddy's Dead (1991) the same year. And New Line was also starting to become more commercial with more family friendly films such as Teenage Mutant Ninja Turtles (1990), Babar: The Movie (1989) and Suburban Commando (1991) and more edgy adult comedies such as House Party (1990) and Pump Up the Volume (1990). For the next few days, Risher kept trying to convince Robert Shaye to buy the rights to the film. Shaye finally agreed, decided to only handle the theatrical and TV rights. Shaye tried selling the video rights to Media Home Entertainment and HBO Video without any success. He finally sold the video rights to LIVE Entertainment who also bought the home video rights to Teenage Mutant Ninja Turtles (1990) from New Line a year earlier. New Line was also unsure of how to market the film as they didn't know if Drop Dead Fred was a kids movie or a young adult comedy. See more »
When Fred is in the engine room of the houseboat, you can see the paddle wheel in the background moving back and forth while the boat is still moving forward See more »
And the prince took the beautiful young girl in his arms and said, will you marry me? Yes, she whispered, I will be your princess.
Did they live happily ever after?
Of course, Elizabeth.
[tucking her in]
How do you know?
Because she was a good little girl. If she had been naughty, the prince would have run away.
What a pile of shit!
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I would call this a dark comedy since it had a lot of the elements of the genre: sad moments with odd humor attached to it, and the strange, fantasy character of Fred. At first I thought "this is a very weird film!", and it is, but it grows on you and pretty soon you are having fun watching Fred's antics. I think this film definitely has the potential of having a large audience, so get out the word!
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