A young district attorney seeking to prove a case against a corrupt police detective encounters a former lover and her new protector, a crime boss who refuses to help him in this gritty ...
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A New York City narcotics detective reluctantly agrees to cooperate with a special commission investigating police corruption. However, he soon discovers that he's in over his head, and nobody can be trusted.
An ex professor offers Adam $1,000,000 to "get" some plasma from a high tech company's lab. Adam asks his criminal grandpa for help. Can the 2 convince Adam's now honest dad to join?Let us see what happens.
Detective Emily Eden is a tough New York City cop forced to go undercover to solve a puzzling murder. Her search for the truth takes her into a secret world of unwritten law and unspoken ... See full summary »
Eddie Carbone, a Brooklyn longshoreman is unhappily married to Beatrice and unconsciously in love with Catherine, the niece that they have raised from childhood. Into his house come two ... See full summary »
A young district attorney seeking to prove a case against a corrupt police detective encounters a former lover and her new protector, a crime boss who refuses to help him in this gritty crime film.Written by
Keith Loh <firstname.lastname@example.org>
In the gay club dressing room where Bobby Texador, his wife and bodyguards are meeting Roger Montalvo, "I Love Paul C." is written and circled on the message board directly behind Montalvo, played by Paul Calderon. See more »
Chief Quinn asks ADA Reilly why he did not attend St. John's Law School. Hutton says his father didn't like the Jesuits. St. John's University is not a Jesuit institution. It is conducted by the Vincentians. See more »
Det. Luis Valentin:
This case is dirty, I feel it in the cojones you know?
Det. Sam 'Chappie' Chapman:
You're listening to a piece of shit like Bobby Tex, the day you start believing a damn dope-dealing Spic against a cop like Mike is the day I turn in my badge! Mike Brennan is the best cop I ever saw! First one through the door, the window, the skylight, he stepped in front of a bullet for me once, caught it in his left hand and shoved it up the punk's ass! Now unless you know, don't blow, this is serious.
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Guess the film from the following description of its characters. A young man investigating misdeeds in the police force, motivated by the memory of his father (a legendary policeman) but also by the pain of having lost the affections of a woman he loves to another player in the drama. A renegade cop, rampaging violently through the city, but revered on the force for standing up to the scum on the streets. And the renegade's boss, who protects him, partly because he himself is on old-school Irish policeman; but partly because he appreciates having his own private bag-man, especially in his dealings with organised crime. Throw in some prostitutes for a little background colour, and it sounds like a perfect description of 'L.A. Confidential'. But it also describes this tough and underrated movie made by Sidney Lumet some years before Curtis Hanson's film.
Whereas Hanson's film was stylised, and glamorised violence (provided the cause was just), Lumet has gone for a more realist approach, and his bad cop (played mesmerisingly by Nick Nolte) is completely rotten, in fact resembling Harvey Kietel's 'Bad Liutennant' in Abel Fererra's movie. The film is dated by its ghastly electronic soundtrack, and more interestingly by its portrait of New York at a time when the city was at its lowest ebb. But it's a very well assembled thriller, exploring issues of race, mixed loyalties and the meaning of good policing without flinching from a grim picture of life on the margins of law abiding society. Lumet has had a long career, but this is one of his better films, and ultimately more truthful than Hanson's stylish charade. Each are good, in their own way: why is only one so appreciated?
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