Henry II picks up where the original (Henry: Portrait of a Serial Killer) left off. Henry (Neil Giuntoli) takes a thankless job at a port-o-john company where he meets husband and wife, Kai... See full summary »
A psychotic man, troubled by his childhood abuse, loose in New York City, kills young women and takes their scalps as his trophies. Will he find the perfect woman in a photographer, and end his killing spree?
Two siblings and three of their friends en route to visit their grandfather's grave in Texas end up falling victim to a family of cannibalistic psychopaths And must survive the terrors of leatherface and his family.
Loosely based on serial killer Henry Lee Lucas, the film follows Henry and his roommate Otis who Henry introduces to murdering randomly selected people. The killing spree depicted in the film starts after Otis' sister Becky comes to stay with them. The people they kill are strangers and in one particularly gruesome attack, kill all three members of a family during a home invasion. Henry lacks compassion in everything he does and isn't the kind to leave behind witnesses - of any kind.Written by
Just after Becky buys a newspaper and sits down to read, a vehicle goes past and we see a camera on a tripod to the far right of the shot. See more »
Oh, wait, I got something to show you. Wait.
[Becky gets up from the table, exits to other room and comes back holding a white t-shirt with 'I love Chicago' printed over it]
Real nice. Put it on.
Right now? Ok, but turn around first... turn around.
[...] See more »
Before the film begins the following can be read: "This film is a fictional dramatization of certain events. 'Henry' is not intended to be an accurate portrayal of a true story. The film is based partly on confessions of a person named Henry, many of which he later recanted. As to Otis and Betty, the film is fictional." See more »
The film has had a long and complex relationship with the BBFC. In 1990, distributor Electric Pictures submitted it for classification with 38 seconds already removed (the pan across the hotel room and into the bathroom, revealing the semi-naked woman on the toilet with a broken bottle stuck in her mouth). Electric Pictures had performed this edit themselves without the approval of director John McNaughton because they feared it was such an extreme image so early in the film, it would turn the board against them. The film was classified 18 for theatrical release in April 1991, but only if 24 seconds were cut from the family massacre scene (primarily involving the shots where Otis gropes the mother's breasts both prior to killing her and after she is dead). Total time cut from the film: 62 seconds. See more »
With the BWP hype, a lot of talk of going around about "the scariest movie you've ever seen". Probably because I've seen over a thousand horror/fright/suspense/gore movies, I have trouble pinning it down. I can't name the scariest, I can name the top 5. As far as non-supernatural horror goes, this movie and Last House on the Left are the scariest movies I've ever seen.
I saw this at a film festival and the audience was very, very quiet. My friend and I just sat there quietly cowering most of the time. It's just way too realistic. The opening and closing are probably the most frightening, and we don't even see Henry killing anyone, just the bodies of his victims and their terrified screams in the background, echoing. It will give you chills down your spine. The stuff in the movie that scared me wasn't any big "jumps" or gore, just very disturbing, creepy moments (especially if you knew someone who was been the victim of a homicide, as I do). My friend I saw it with worked at the city prosecutors office and heard about plenty of local murder cases and said it rang very, very true to life. One of the most chilling scenes is early on, when Henry goes to a mall and just sits patiently in the parking lot, scanning. The camera looks coldly and calculatedly at different women in the parking lot from Henry's point of view. There are so many shots you almost start to wonder what the point of the scene is until it hits you: they are ALL potential victims, this is how he looks at women. I have always been careful as a woman whenever I am alone but after seeing the film, to this DAY I do not walk to my car alone at the mall without my mace in my hand, and I look all around me and never turn my back on anyone. The movie also does not glamorize the killing or violence against women at all.
Also, it's a good primer on home and personal safety. (a good rule- Do not EVER let a stranger into your house when you are home alone if you were not expecting him. In fact, after I saw this I never open the door when I am home alone and not expecting anyone, period. Think I'm paranoid? Watch this movie and see how safe you feel).
The plot sounds simple but it's not boring. The movie follows the exploits of Henry, a young man who is practically a textbook case of a serial killer (male, white, 30's, drifter, soft-spoken, shy). Conflict comes when his disgusting nasty inbred cousin Otis Toole stays with him, along with his pathetic sister. One night Otis and Henry pick up a couple of prostitutes and are having sex with them in the car. Henry kills both of them sort of offhandedly, with no more emotion than you would swat a fly. Otis starts joining him on his exploits. Henry is more sympathetic than Otis, however, because while Henry does these things because he is sick and doesn't have a choice, Otis seems to get off on them, and also should know better. Things sorta go downhill from there, and the sister complicates things because she is so desperately lonely that Henry starts to look good to her. It culminates in one of the most chilling, downbeat endings of all time.
After I saw this movie at the festival, I was lucky enough to be there when Michael Rooker, who plays the title character, came out and lectured and did Q & A. When I say lucky, I don't mean lucky that I got to meet a celebrity (though that was neat). I mean lucky that I was able to have proof immediately afterwards that this was just a movie. If the movie had ended and I just had to get up and go home, I probably wouldn't have gotten any sleep for about a week. He was very nice and personable, wore glasses and a blazer, not at all like his character. The thing I remember most clearly is someone asked him what kind of movies he liked and he replied, "I don't like horror movies, really, I like musicals". Everyone laughed for about 5 minutes, partially out of relief. BIG relief. See, it's just a movie, there's the actor right there, and ha-ha, he's actually very shy and charming and harmless, isn't that funny?
Even with all of that, I still find this one of the most disturbing, unsettling movies ever made. You haven't seen a really scary movie until you see this movie.
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