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An old Gothic cathedral, built over a mass grave, develops strange powers which trap a number of people inside with ghosts from a 12th Century massacre seeking to resurrect an ancient demon from the bowels of the Earth.
Feodor Chaliapin Jr.
In the future, a nuclear war has transformed the Earth into a radioactive wasteland where the sea has dried up leaving it as a post-apocalyptic desert. In the desert, A desert scavenger named Nomad discovers a robotic head, arriving in New York City, A space marine named Moses Baxter buys the robotic head from Nomad as a Christmas present for his girlfriend Jill Grakowski, who decides to use it for one of her sculptures. But all hell starts breaking loose, when the robotic head is activated and begins to rebuilt itself. When Alvy, a junkyard dealer discover the robotic head is a Mark 13, a military cyborg of a project that was abandoned. Moses learns Jill's life is in danger, as the Mark 13 cyborg goes on a violent rampage in Jill's apartment as Jill has become the the prime target for extermination.Written by
The hair stylist was also the person who worked with and designed the distinctive 'big hair' look for singer Howard Jones in the 1980s. See more »
After Jill attacks it with the buzz-saw, the Mark 13 steps back: if you look closely, you can see the legs of the man underneath the droid suit. The same thing can be seen towards the end as Jill and the robot are entering the bathroom. See more »
Some nice touches, especially with the Mark 13 derivative.
The 21st century world is a radioactive wasteland as a result of a nuclear war. A traveling scavenger comes across the remains of a cyborg named Mark 13 in the desert; He salvages pieces of it. The cyborg head ends up with a metal sculptress, who is unaware of the cyborg's infamy as a governmental killing machine project that was scrapped due to its defects. Mark 13 reconstructs itself utilizing household appliances and metal parts, and goes amok.
Hardware is a movie that relies on its post-modernistic stylings to bring out its flavor but most of the time it falls flat. It's full of oddly placed music, I heard somewhere that the director Richard Stanley used to direct music videos, so maybe that explains a few reasons as to why this movie is the way it is. The red filter used through at least 50% of the movie can become highly annoying and get in the way of viewing some potentially good, violent scenes. Also the scenes which slowly push the plots progression could have done without the distraction.
Luckily enough, when the movie really gets going (it takes almost an hour!) its quite a fun ride of just extremely painful death scenes as the clunky robot Mark-13 chases down all humans in his way.
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