Anti-Semitism, race relations, coming of age, and fathers and sons: in Baltimore from fall, 1954, to fall, 1955. Racial integration comes to the high school, TV is killing burlesque, and ... See full summary »
Colm is a Catholic and George is a poetry-loving Protestant. In Belfast in the 1980s, they could have been enemies, but instead they became business partners. After persuading a mad wig ... See full summary »
Jimmy Alto is an actor wannabe who stumbles into the role of a lifetime. He becomes a vigilante crime-fighter, aided by his sidekick William, who has suffered a head wound and has problems ... See full summary »
Michael Reynolds is a rich oncologist who has a one hundred seventy-five thousand dollar sports car, a multi-million dollar house, and a new boost in his career. Brandon "Blue" Monroe is a ... See full summary »
This picture featured a number of scenes with Baltimore Transit Co. 7407, the only original Baltimore PCC streetcar that is still complete and in running condition. It was built by Pullman-Standard in 1944, and was the last PCC to run on the streets of Baltimore, on November 3, 1963. It was purchased by a Mr. John Engelman and presented to the Museum. It has since undergone two restorations; the second was performed in the old Carroll Park shops by the Maryland MTA and had been completed when Barry Levinson filmed "Avalon", which used 7407 for some night scenes and interior shots, but he had a wooden rubber-tired PCC replica built for the scenes on Baltimore streets, including the derailment scene. The replica was thereafter donated to the museum. See more »
Although the beginning of the picture is set in the late 1940s, the Christmas song "Silver Bells" is heard on Jules' car radio, sung by Bing Crosby. That version of the song was released in 1950. See more »
I came to America in 1914 - by way of Philadelphia. That's where I got off the boat. And then I came to Baltimore. It was the most beautiful place you ever seen in your life. There were lights everywhere! What lights they had! It was a celebration of lights! I thought they were for me, Sam, who was in America. Sam was in America! I didn't know what holiday it was, but there were lights. And I walked under them. The sky exploded, people cheered, there were fireworks! What a welcome ...
See more »
The credits roll over a photograph of Avalon, which begins as a sharp color photograph, but fades into a worn black-and-white picture at the end. See more »
It was like watching 30 Woody Allens frantically talking at the same time. At some moments a bit overwhelming but, all in all a good movie, also reminds me on Woody Allen's "Radio days". America, when the american dream was still a thing people believed in.
2 of 2 people found this review helpful.
Was this review helpful to you?
| Report this