Briscoe and Green catch three murder cases and one kidnapping on the same day, and one murder is tied to a fourth murder which happened ten years ago. Each case apparently involves domestic disputes ...
The cases of the F.B.I. Behavioral Analysis Unit (B.A.U.), an elite group of profilers who analyze the nation's most dangerous serial killers and individual heinous crimes in an effort to anticipate their next moves before they strike again.
Matthew Gray Gubler,
Forensic anthropologist Dr. Temperance "Bones" Brennan and cocky F.B.I. Special Agent Seeley Booth build a team to investigate murders. Quite often, there isn't more to examine than rotten flesh or mere bones.
The show follows a crime, ususally adapted from current headlines, from two separate vantage points. The first half of the show concentrates on the investigation of the crime by the police, the second half follows the prosecution of the crime in court.Written by
Towards the end of the fifth season, executive producer Dick Wolf decided not to renew Chris Noth's contract, citing that the interaction between Logan and the similarly jaded Briscoe (Jerry Orbach) lacked enough dramatic contrast. Viewers and critics were shocked at the dismissal of the most popular and only original remaining cast member at that time. Years later, Noth convinced Wolf to produce Exiled (1998) to wrap up the story of Mike Logan, which Noth felt had been prematurely extinguished on the show. Noth returned again to revive the character for two seasons of Law & Order: Criminal Intent (2001). See more »
In several episodes, Curtis draws his weapon (a Glock semiautomatic) and we hear the hammer being cocked. This type of gun does not have an external hammer and can only be fired in double action. See more »
I'm not the one on trial here, and I'm the one who asks the questions!
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The Season 17 episode "Tombstone" ends with live action during the credits instead of the usual black background. See more »
The version of the show shown in the UK on Channel Five has a completely different version of the opening credits with different music. Also UK satellite channel Sky One has a different version of opening credits to the US and Channel 5 versions and music. See more »
It was suggested to me that one of the best performances on television was being given by Vincent D'Onofrio on Law and Order: Criminal intent. I've always admired D' Onofrio's work, including his Orson Welles in Ed Wood and his turn as the man crushed in the subway accident on Homicide. I particularly liked that one because of his refusal to compromise by making the character likable. He was just a guy who had not planned to die that day and was angry at everybody for the fate that had befallen him. He made the character human so we could all relate to him. Unfortunately, I can't relate to the guy he plays on L&O:CI, an overbearing ham who chews up every scene he's in. I much prefer the other Law and Orders where the actors use more restraint.
I've watched the original L&O for about 10 years. When I first saw it I thought it was the best show I'd ever seen. it seemed grounded in the reality of it's subject and unlike the cross-sectional shows that tell too many stories at once and do justice to none of them. But I've grown tired of the rigid format of the show. The original law and order is still a good show but I get tired of it's rigid format where you can guess what will happen next based on the minute hand of the clock. At the top of the hour, some people are having a conversation when they suddenly find a body. Then we jump to the crime scene investigation where the detectives get the low-down and Briscoe, at about 5 after makes a wisecrack. then comes the opening credits. The detectives try to find out as much as they can over the next ten minutes but don't have any real leads. The lieutenant tells them they're full of it and sends them to check out some particular thing with uncovers an apparent motive for the murder. This comes at about 15 after. They grill the guy at the station house and maybe put him through a lineup with a defense attorney yipping at their heals. Then they find out the guy didn't do it and it turns out this story is about something else entirely. They find out what it is and at 25 after they tell it to the assistant DA who tells them they are full of it. But they convince her that they aren't full of it and she tells them to arrest the guy. Then comes everybody's favorite scene at half past, the "How dare you arrest me! Can't you see I'm doing something important?" scene. Then we come to everybody's other favorite scene, the arraignment where the other defense attorney tells the judge the prosecution's full of it and the judge tells the defense attorney that he's full of it. Then, at 25 of, the district attorney tells the executive district attorney and the assistant district attorney that they're full of it. The defense attorney concurs and presents the executive assistant DA with a motion to suppress whatever evidence they have for some ridiculous reason except that the judge thinks it's a wonderful reason at 15 of we're back where we started. Now the executive assistant and the assistant DA hatch a plan to bend the rules to get the guy convicted anyway. The only suspense is whether it works. And if it doesn't there's usually some extralegal retribution at the end. It's been a great show and it may go on forever but it is possible to get a little tired of it.
I'm not tired of SVU. This has an open-ended format. It's 90% the police and 10% the lawyers but it's mostly about the victims and the perpetrators and how they got that way. It can get a bit seamy at times but the writing and acting are great. Christopher Meloni and Jayne Mansfield's kid, Mariska Hargitay are passionate but under control as the leads. Dann Florek, who was on the original L&O at the beginning is great as their superior. Stephanie March is better than any of the assistant DA's on the original L&O since Jill Hennessy. And they have Richard Belzer reprising him "Munch" character from Homicide. It's always compelling.
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