Famous writer Alexander is very ill and has little time left to live. He meets a little boy on the street, who is an illegal immigrant from Albania, and goes on a journey with him to take the boy home.
Based on some historical events, the film gives a romanticized biography of Theodoros Kolokotronis, a Greek historical hero serving as a metaphor for Greece herself. Based on a circular ... See full summary »
This is the first film of Theo Angelopoulos' trilogy. The story starts in 1919 with some greek refugees from Odessa arriving somewhere near Thessaloniki. Among these people are two small ... See full summary »
A, an American film director of Greek ancestry, is making a film that tells his story and the story of his parents. It is a tale that unfolds in Italy, Germany, Russia, Kazakhstan, Canada ... See full summary »
It is 1936 in Greece, shortly before the Metaxas' dictatorship. A former drug trafficker and police informer, Sofianos, is in prison because of the assassination of a trade unionist during ... See full summary »
On New Year's Eve, a bourgeoisie group of hunters finds the frozen body of a long dead WWII partisan fighter. They spend the night debating what to do with it, which reveals their sins from the war and leads to their symbolic punishment.
A woman murders her husband, upon his return home after a long absence, with the complicity of the lover who has relieved her loneliness. Costas Ghoussis, an emigrant recently returned to ... See full summary »
Road movie about two children (Voula and Alexandre) searching for their father who is supposed to live in Germany. Their obsession for this father figure will take them to the boundaries between childhood and adolescence.Written by
Carlos Morales <email@example.com>
After the scene of the hand surfacing out from the sea, the young actor says the sentence 'Who, if I cried out, would hear me among the angels' hierarchies?'. This sentence is from The First Elegy by Rainer Maria Rilke. See more »
Who am I? I'm a snail slithering away into nothingness... I don't know where I'm going. Once I thought I knew.
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Opening titles: The band "The Last Drive" is heard from their Hitch-hyke records' "Underworld Shakedown" album (credit appears on the same screen with those for photography assistants). See more »
A broad social criticism on contemporary Greece of the 1980's. Some scenes more successful than others, and it does drag a bit and is, as is usual for Angelopoulos, a bit contrived. Worth making the effort for anyway. The most intense scenes are the rape scene which happens out of sight and consists of one long slow dolly shot, and the wedding scene in which the future of the bride is given metaphor by a dying horse being dragged down the road by a truck.
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