A brief fling between disc jockey Dave Garver (Clint Eastwood) and obsessed female fan Evelyn Draper (Jessica Walter) takes a frightening, and perhaps even deadly turn when another woman, Tobie Williams (Donna Mills), enters the picture.
A hard but mediocre cop is assigned to escort a prostitute into custody from Las Vegas to Phoenix, so that she can testify in a mob trial. But a lot of people are literally betting that they won't make it into town alive.
Kidnapped boy Phillip Perry (T.J. Lowther) strikes up a friendship with his captor Butch Haynes (Kevin Costner): an escaped convict on the run from the law, while the search is headed up by honorable Texas Ranger "Red" Garrett (Clint Eastwood).
Saxophone player Charlie "Bird" Parker (Forest Whitaker) comes to New York City in 1940. He is quickly noticed for his remarkable way of playing. He becomes a drug addict, but his loving wife Chan (Diane Venora) tries to help him.
A sound engineer digitally and electronically isolated the solo tracks from the old recordings that Clint Eastwood got from Charlie Parker's widow, Chan Parker. Then modern day musicians such as Ray Brown, Ron Carter, Red Rodney, Barry Harris, and Walter Davis, Jr. recorded backing tracks over the music. Dizzy Gillespie was on tour, so trumpet player Jon Faddis stepped in to do Gillespie's part. See more »
When Bird is dictates the telegram to be sent to Chan, it's printed as he speaks. He says "Forgive me for not being in the hospital with you," but the telegram reads "Forgive me for not being there with you while you were at the hospital." See more »
Dizzy sent you a birthday card. Seems he's back in town. Do you owe him a phone call?
I owe Dizzy everything...except a phone call.
See more »
Pre-titles card: "There are no second acts in American lives." - F. Scott Fitzgerald See more »
Eastwood proves he's one of America's best directors. Simply brilliant.
A dark and atmospheric biopic on jazz legend Charlie Parker, who with his fast improvisational style formed the sub-genre of bebop. Clint Eastwood directed this movie with a heart and passion that reflects back to his own love of the music which he has carried with him all his life and played a role in all his work. Eastwood himself actually was fortunate to have seen Charlie "Bird" Parker play in when he was alive. The film chronicles his life and has a tight focus on his self destructive behavior and the music itself. Bird explores the highs and lows of his journey. Playing to a sold out house in Paris, playing alongside Dizzy Gillespie, and earning a respect that few other musicians have matched. In contrast we see his heroine addiction, his suffering and depression resulting in several suicide attempts, the death of his daughter, and his wife's loving struggle to help save a man who's ill-fate was inevitable and irreversible.
Forest Whitaker plays Bird with a lot of heart and soul. Even though I have no idea if it was an accurate portrayal in capturing the man's nuances, Whitaker's interpretation was superlative. Equally as good was Diane Venora as Bird's wife, who found enough strength for the both of them and tried to hold the family together in an un-winnable battle. There's lots of rain, lots of dark nightclubs, lots of street lamps reflecting the soaked streets, and lots of feeling in this one. Having just watched another biopic, that one on Ray Charles, it's clear to see Eastwood's was the real deal, whereas Ray was merely decent.
15 of 21 people found this review helpful.
Was this review helpful to you?
| Report this