U.S. entertainer Eddie Sparks wants to bring some fun to the soldiers during World War II and contacts singer/dancer Dixie Leonard for help. They become the perfect team and tour from North... See full summary »
Harold, a professional gambler, and his girlfriend Bonita, a lounge singer, follow Willie, a young blackjack dealer, around the western U.S. Harold has a jinx on Willie and can't lose with ... See full summary »
In the 1940s in the small town of Jupiter Hollow, two sets of identical twins are born in the same hospital on the same night. One set to a poor local family and the other to a rich family just passing through. The dizzy nurse on duty accidentally mixes the twins unbeknown to the parents. Our story flashes forward to the 1980s where the mismatched sets of twins are about to cross paths following a big business deal to closedown the Jupiter Hollow factory.Written by
Col Needham <email@example.com>
The name of the big business was a conglomerate called "Moramax". The name is similar to the name of real-life film company "Miramax", who at the time of the production of this picture, had been an independent group since 1979, and remained one until 1993 when The Walt Disney Company acquired it. Ironically, Big Business (1988) was produced by Touchstone Pictures, which was a subsidiary of The Walt Disney Company. See more »
In the beginning, when Dr. Parker is handed the glass of cider by Nanny Lewis, and he sips it, there's only a tiny bit left. But when Mr. Stokes comes in with the Sheltons moments later, it's more than half full. See more »
That this 1988 movie contains 2 sympathetic, non-stereotypical gay characters says a lot about the movie makers. There seems to have been some real care taken over what could've ended up a cheaply made throwaway farce.
Lily Tomlin and Bette Midler are simply superb in their roles as separated twins and in my view out-do Jeremy Irons in that year's other twin movie `Dead Ringers' - and he was fantastic.
This film has been criticised for not delivering laughs where you would predict them based on the film's premise. But is that a fault? Big Business builds comedic tension early on and sustains it throughout by clever use of supporting characters and the subtle way that from their scenes with them we learn about the 4 leads.
The eternal dilemma of nature v nurture is portrayed in a fairly non-preachy way coupled with a similar approach to town v country. To do this in a farce containing 4 romances plus all the rest is a tall order for any moviemaker but this rich premise is cleverly negotiated by Jim Abrahams & the writers with only a handful of misfires.
Now I'm not one for romances but the studly Fred Ward, who was unbelievably 46 years old at the time, as the whiter than white Roone Dimmick, manages an amazing feat - his meeting and courting of Lily Tomlin in the space of a few minutes is carried off quite plausibly by this accomplished and underrated actor and is a joy to behold.
10 out of 10 and a real shame that there is no more from these 2 writers.
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