Daniel Moulin goes to New York on a business trip and decides to take advantage of his time in the Big Apple to try and locate the father he never knew. The only thing he has to go on however is an address in the Bronx that is 25 years old.
Two young boys from very different backgrounds become friends in 1933 Stuttgart. However, they don't realize how different they are until much later as one is the son of a well-to-do Jewish... See full summary »
A well meaning but burned-out high school teacher tries to maintain order against the backdrop of a pending lawsuit against his school district when it comes to light they gave a diploma to an illiterate student.
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Magazine reporter Jonathan Fisher, in danger of losing his job, promises to write a factual hard-hitting story of prostitution. But when he tries to get information from the subjects, he is ignored. So he ends up faking a well received story of a pimp, describing his life and crimes. But police think the story is of a real life pimp who is wanted for murder and start pressuring him to reveal the identity of subject in his story, and all he knows. The pimp the police suspect, also thinks the story is about himself, and wants to know what Jonathan knows, and who told him.Written by
Brian W Martz <B.Martz@Genie.com>
Right when Punch and her pimp enter the party, the editor announces them at the door..They cut to a woman on the stairs and Punchies leopard skin leotard clad legs are stretched out behind her. They have a scene on the stairs a few minutes later. See more »
Morgan Freeman has a commanding presence and he does it with such little ease. Here is no different in a pimp role, as you could say outside the fittingly gritty and authentic urban location work that really puts you there. He is the best thing about this movie. Giving his character plenty of personality with weight, but an underlining edginess that sees him playing it rough when he "had" too. That's not taking anything away from the likes of Christopher Reeve, Kathy Baker and Mimi Rogers. Reeves is rather accomplished as the reporter who finds himself in a difficult position --- career and personal life, but his morals are really put to the test. The ladies are the ones who come off being the ones you care for. New York journalist Jonathan Fisher is not getting anywhere in his attempt to write an article on prostitution, so he writes a fictional expose on a pimp, that ends up seeing him gather numerous praise for its realism. However this fake piece seems to resemble that of a real life pimp; "Fast Black" who's on trail for murder. As things become unstuck, Fisher now finds himself caught in a dangerous predicament with the distract attorney on one side wanting these notes and Fast Black on the other trying to get him on his side by showing him in the real life of a pimp. How one little lie can escalate into something much more. This smoky dramatic thriller doesn't exploit the glamorous nature, but gets dirty as things spiral out of control and circumstances are manipulated to suit one's own favour. This leads to some dangerous consequences for both sides. The interplay between Freeman and Reeves' characters are always gripping and at times quite intense and spontaneous. The rigid narrative does have some questionable details, but remains digestible and cleverly explosive up until its sudden ending of street justice that the courts couldn't supply. Also memorable is the swaying jazz flavour to the music soundtrack and Baker as one of Fast Black's hookers. This enterprise was produced by Cannon.
"We don't like to lose."
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