A sinister secret has been kept in the basement of an abandoned Los Angeles church for many years. With the death of a priest belonging to a mysterious sect, another priest opens the door to the basement and discovers a vat containing a green liquid. The priest contacts a group of physics graduate students to investigate it. Unfortunately, they discover that the liquid contains the essence of Satan himself, and they also discover that he will release HIS father - an all-powerful Anti-God! The liquid later comes to life itself, turning some of the students into zombies as the Devil comes forward to release his father. Will these students be able to stop him?Written by
The central location of the film is a church named Saint Godard's. 'anti God' can be formed by rearranging some of the letters. See more »
Toward the end when Brian jumps out the window and the possessed people outside come towards him, it is clearly dawn and light outside. Shortly after, when the possessed is defeated and the mirror is broken by the priest, you can see them dispersing while it is night outside. Then Walter jumps out to get help and it is night as well. The next scene shows Walter with a blanket around him and is dawn again. See more »
The opening credits last for nine minutes. See more »
The UK 15-rated Universal video version released by 4-Front is edited slightly to avoid an 18 rating. 42 secs of cuts include a shorter bike-stabbing sequence, the removal of some swearing and a brief cut to 'soften' the scene where Calder cuts his throat with a splinter (in the case of this cut there is a noticeable jump in the soundtrack). See more »
Trust John Carpenter to constantly subvert expectations, aim for innovation and simply just please the crowds throughout his career. Prince Of Darkness is, at first glance, a creaky ol' fright fest, and it is that, but there's also a cheeky little irreverent streak to it as well, a borderline atheist flourish that you wouldn't normally find in a flick about summoning up the devil. Carpenter lays the atmosphere on thick, especially with a reliably spooky electronic score and a pace that burns slow and steady. Deep in the crypt of a church there lies a large glass vial containing swirling green matter, a pseudo scientific/spiritual cocktail that contains the "anti god", a denizen composed of backward atoms that wants to break out and raise a little hell. Grim faced priest Donald Pleasence will prevent this at any cost, and hires a team of underpaid undergrads led by a crusty professor (Victor Wong) to research it, camping out in the church for kicks. You can imagine how this goes, and there's a refreshingly old school 'Body Snatchers' vibe as various characters fall victim to the creeping dark forces. There's also mind-stimulating, sci-fi ideas at work too though, including an intriguing time travel prospect and a deft little jab at religion via the story's trickier elements. Carpenter, although hailed as a master of horror, is no simpleton when it comes to ideas, and he flexes his cerebral muscles nicely here. Ambient, gooey, smart, provocative, a terrific little fright fest that leaves you wanting more.
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