During an archaeological expedition on Bouvetøya Island in Antarctica, a team of archaeologists and other scientists find themselves caught up in a battle between the two legends. Soon, the team realize that only one species can win.
Ellen Ripley is rescued by a deep salvage team after being in hypersleep for 57 years. The moon that the Nostromo visited has been colonized, but contact is lost. This time, colonial marines have impressive firepower, but will that be enough?
A fearless, globe-trotting, terrorist-battling secret agent has his life turned upside down when he discovers his wife might be having an affair with a used car salesman while terrorists smuggle nuclear war heads into the United States.
Jamie Lee Curtis,
After her last encounter, Ellen Ripley crash-lands on Fiorina 161, a maximum security prison. When a series of strange and deadly events occur shortly after her arrival, Ripley realizes that she has brought along an unwelcome visitor.
Charles S. Dutton,
200 years after her death, Ellen Ripley is revived as a powerful human/alien hybrid clone. Along with a crew of space pirates, she must again battle the deadly aliens and stop them from reaching Earth.
After a space merchant vessel perceives an unknown transmission as a distress call, its landing on the source moon finds one of the crew attacked by a mysterious lifeform, and they soon realize that its life cycle has merely begun.
A team of special force ops, led by a tough but fair soldier, Major "Dutch" Schaefer, are ordered to assist CIA man, Colonel Al Dillon, on a rescue mission for potential survivors of a Helicopter downed over remote South American jungle. Not long after they land, Dutch and his team discover that they have been sent in under false pretenses. This deception turns out to be the least of their worries though, when they find themselves being methodically hunted by something not of this world.Written by
All the 7 main cast members re-appear in ascending order as their names are displayed to give a smile to the audience in appreciation. See more »
In the 1991 ITV broadcast of the film, some violent scenes and bad language were cut for censorship and for time: Mac warning Dillon that he'll bleed him, if he gives up his position again. The decapitation of Dillon's right arm and his demise. The Predator ripping out Billy's skull and spine and Dutch calling the Predator "You One Ugly Motherfucker!" when The Predator removes it's mask. See more »
One of the most effortlessly enjoyable action movies of the 80s
31 years after its original release, it's hard to believe that there was once a time when John McTiernan's Predator wasn't revered as one of the best action movies of the modern era. Critics savaged the film, although now even the stuffiest of critics cannot deny its shamelessly muscly, bullet-spraying, blood-spattering charm. Predator is now held in as equally high regard as McTiernan's other action classic Die Hard - released the following year - and featured Arnold Schwarzenegger at the very top of his game. This was long before the Austrian hulk made a swerve into politics and became the self-parody he is today. The premise is almost offensively simple, but the execution makes this one of the most effortlessly enjoyable action movies of the 1980s. McTiernan knows exactly how to tear a jungle apart with gunfire, and set up his disposable supporting characters for a grisly death.
Special Forces major Dutch Schaefer (Schwarzenegger) is "choppahed" into South America, where is he given a mission to rescue an official who has fallen into the hands of some insurgents. Schaefer and his team - played by Bill Duke, Jesse Ventura, Sonny Landham, Richard Chaves and Shane Black - are met by Schaefer's old Army buddy Dillon (Carl Weathers), and the two greet each other in the most 80s way possible by flexing their oiled and oversized muscles in a manly handshake. As the team venture further into the jungle, it becomes clear that Dillon isn't telling the whole story, and the mission becomes even more difficult when they capture a female hostage named Anna (Elpidia Carrillo). Yet this is far from their biggest problem, as on their tail is an alien with the ability to camouflage itself and see with thermal imaging, backed by an arsenal of powerful extra-terrestrial gadgets and a healthy appetite for the hunt. With the group being picked off one by one by this formidable enemy, Schaefer must get to the extraction point before he becomes another skull in the beast's growing collection of trophies.
The plot can be compared to countless B-movies throughout the years, but what worked for Alien also works for Predator. Take a simple premise, add some budget, bind it together with some good old-fashioned decent film-making, and the result is a timeless classic. Yes, the special effects have dated and most of the actors' stars have somewhat dimmed in the decades since, but Predator is even more of a blast now than it was when I stole my brother's VHS twenty-odd years ago. The sequels, spin-offs and comic-books have gone to great length to explain and develop the Predator's mythology, but McTiernan simply lets the monster do its thing. Played by the 7 ft 2 in Kevin Peter Hall, the Predator's formidable armour, weaponry, stealth and sheer repulsiveness has made it a sci-fi/horror icon. Like the Alien franchise, subsequent movies have felt the need to explain the creature's backstory, damaging their otherworldly mystery in the process, but Predator simply throws him into the mix and lets him loose on our world's finest warriors. With star Shane Black's reboot The Predator set to arrive shortly, now is the perfect time to revisit what drew audiences to the series in the first place, in spite of how your attitude may have soured after those terrible Alien cross-overs and the forgettable third entry from 2010.
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