A semi-autobiographical project by John Boorman about a nine year old boy called Bill as he grows up in London during the blitz of World War II. For a young boy, this time in history was ...
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In this sequel to Hope and Glory (1987), Bill Rohan has grown up and is drafted into the army, where he and his eccentric best mate, Percy, battle their snooty superiors on the base and look for love in town.
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The real-life story of Dublin folk hero and criminal Martin Cahill, who pulled off two daring robberies in Ireland with his team, but attracted unwanted attention from the police, the I.R.A., the U.V.F., and members of his own team.
Laura is trying to pick up the pieces of her life after the murder of her husband and son, and goes on vacation with her sister to Burma. After losing her passport at a political rally, she... See full summary »
U Aung Ko,
A social satire about the last heir of a dethroned family of European monarchs whose plans to return to power through revolution become secondary after he becomes fascinated by the life of a poor London black girl and her boyfriend.
Stewart McBain (Coleman) is a real-estate mogul who spends his living blowing up old buildings to make room to erect new buildings. All goes as planned for a new subdivision, until a group ... See full summary »
During World War II, an American pilot and a marooned Japanese navy captain are deserted on a small uninhabited island in the Pacific Ocean. There, they must cease their hostility and cooperate if they want to survive, but will they?
A semi-autobiographical project by John Boorman about a nine year old boy called Bill as he grows up in London during the blitz of World War II. For a young boy, this time in history was more of an adventure, a total upheaval of order, restrictions and discipline. The liberating effect of the war on the women left behind. And the joy when Hitler blows up your school.Written by
Colin Tinto <email@example.com>
Undoubtably one of the best movies about "the home front" of WWII, Hope and Glory effectively recalls the child's perspective of living amidst the rubble of the Blitz. The film's strength, in my view, is how people tried their best to maintain their normal lives and customs as their world crumbled around them, both literally and figuratively.
The young man playing the central character does a fine job of bringing Boorman's childhood to life. The natural ability of children to adjust to change (but not without consequences) is brilliantly depicted. The "gang" sequences were not only funny but also felt remarkably true, especially the collection of plundered booty and scrap war material. It's just the type of mischief you'd expect from letting the boys run wild through this type of damage.
Sarah Miles and Sammi Davis are excellent as the mother and older sister to the central character; their interaction shows the damage war does to relationships and moral values. The highlight for me was the grandfather, however. The gentleman stole every scene in which he appears. The final scenes of the movie show his delight in his grandson in such a novel and moving way that it became almost the film's highlight.
I worked with a man who lived in London during the war, when he would have been the same age as the boy in this story. He told me that he considered this movie the best one he'd ever seen on World War II and recommended that I watch it. I've never regretted it. Thanks, Jack.
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