Two siblings and three of their friends en route to visit their grandfather's grave in Texas end up falling victim to a family of cannibalistic psychopaths And must survive the terrors of leatherface and his family.
When Kirsty's father, Larry, and stepmother, Julia, move into Larry's childhood home, Kirsty and her boyfriend take a room nearby. Unfortunately for all involved, Larry's house is already occupied: before the family's arrival, Larry's disreputable brother, Frank, used a supernatural puzzle box to summon a gang of other-dimensional demon sadists. Now, Frank requires a series of blood sacrifices to escape the clutches of Pinhead and the cenobites.Written by
Many viewers have commented about the poor quality of the FX at the end of the movie. Clive Barker has explained that, due to a very limited budget, there was no money left to have the FX done professionally after the primary filming. Instead, Barker and a "Greek guy" animated these scenes by hand over a single weekend. Barker has also commented that he thinks the FX turned out very well considering the amount of alcohol the two consumed that weekend. See more »
The number of cups on the table during the opening scene
(where Frank buys the box) changes from one to two then back to one. See more »
[the Asian Merchant greets Frank]
What's your pleasure, Mr. Cotton?
See more »
The UK cinema version was uncut though the 1988 New World Pictures and 1991 VCI video releases were cut by 4 seconds and removed shots of Julia's first victim pleading after the initial hammer blow and a shot of his dead bloodied face. The cut was waived for the 1998 issue. See more »
Gothic, Gory, Romantic, Beautiful, Colorful, and Tasteful horror film. A Gem!
Contrary to what one might conceive in their minds BEFORE watching this classic horror movie, it should be said that Clive Barker has delivered us a real gem of a horror story, packed with intensity, both emotionally, as well as physically. "Hellraiser" is about love, lust, pain, and pleasure. It's been called an "otherworldly tale of pain and torture". It's been referred to as a grim, Gothic romance. Needless to say, it's gore following is much more in numbers than that of the "Lord Of The Rings" trilogy. Truly, this film is everything one see's it to be, from a romance, to a gore show, to a good ol' fashioned scare show. Either way, it's a fine film regardless. I might add, however, that it may come as a surprise upon first viewing. What is surprising, is the way it plays out very dramatic. Our characters are very down to earth, each with their own personal idiosyncrasies and inner demons, not to mention personal strengths. Each of them stands like a look at the different human desires, fears, joys, and sorrows. It plays out like a grim, Shakespeare play. A man and woman, Larry and Julia Cotton, moving into a home where memories dwell upon like haunting spirits. Larry is a charismatic optimistic gentleman, full of love and compassion for his wife, and his daughter, Kirsty. Julia is a human relic of baggage and fallen dreams, because she bears so many dark secrets, one of which is an affair with Frank, her husband's younger brother. Frank is alive, and replenishing himself after a rather nasty encounter with a Pandora's Box. Larry's blood, spilled over a hardwood floor, brings Frank back to life from an excruciating death, in one of the finest special effects sequences in cinematic history. Once Julia and Frank reunite, their love is more dangerous, and powerful than imagined. Together they conspire in the grand tradition of "McBeth" and "Othello", to reign in pleasure once again. Enter Kirsty, Larry's daughter, and Frank's niece. A warm hearted, but determined soul who crosses paths with Julia and Frank before they can finish their diabolical plan. Kirsty eventually encounters the dark secret beheld Frank upon his death, a puzzle box. It brings pain, pleasure, and death. Creatures of darkness; the Cenobites, angels to some, demons to others, come to Kirsty when she accidentally calls upon their ghoulish powers. Once unleashed, they must take someone back, and Kirsty knows now, how Frank is back, and she intends to return him to his deathly justice, and save her family...
The writing is just remarkable. Clive Barker has given us people, humans, planted in their own desires, and determinations, and he tears them apart with fear, pain, death, destruction, and total degradation. The Cotton family are the perfect example of purity, torn to shreds by hate, lust, and anguish, and he takes great glee in showing us all the gory details.
The production is a real high! This is what the best type of films are made of. Real, gory, bloody human remains, connecting to each other in divine sequence, to create a 100% greedy man. The colors are plenty and gorgeous. The look of the blood, and the shine of the lights, and the way the actors are lit... It's just beautiful. The music of the film is brilliant. Composer Christopher Young chills the film, and drenches it with his dramatic variation of the main title, and the rest of the music contains harsh strings, brass horns, music box cues, and rhythmic cues that speed the pace up with action.
Clive Barker is such a great writer and director, and filmmaker altogether. He has given us a great thriller that crosses the line between reality and fiction, in great taste and color, literally. It's no wonder twenty years later, the film stands on it's own, aside from it's sequels, and remains an ultimate horror classic to end them all...well some of them anyway. It's not the only horror film to portray itself intellectually, and it certainly has it's gore effect to an all time high. Still, it's quite a dashing and artful film, and always a treat to watch every time.
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