A group of scientists have developed the Resonator, a machine which allows whoever is within range to see beyond normal perceptible reality. But when the experiment succeeds, they are immediately attacked by terrible life forms.
After 13 years in prison, the mad scientist from Re-Animator (1985) gets a new chance to experiment with the arrival of a young prison doctor, who secretly hopes to learn to reanimate dead people. Good intentions turn to horror.
Tommy Dean Musset,
Dr. Edward Pretorius and his assistant, the physician Crawford Tillinghast, have developed the Resonator, a machine to stimulate the sixth sense through the pineal gland. When Crawford activates the apparatus, he sees creatures flying in the air and he summons Dr. Pretorius. The experiment goes out of control and Dr. Pretorius refuses to turn off the Resonator. Meanwhile their neighbor calls the police, and when the police officers arrive, they see Crawford trying to escape from his house and Dr. Pretorius beheaded. Crawford is sent to a mental institution under the supervision of the sadistic Dr. Bloch. However, the prominent psychiatrist Dr. Katherine McMichaels requests the custody of Crawford and Detective Bubba Brownlee that is investigating the case stays with them. Katherine goes with Crawford and Bubba to see the Resonator and turns the machine on. Dr. Pretorius returns in a mutant shape and attacks them, in the beginning of a gore night with weird life forms.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
When Crawford first tests the machine for Katherine and Bubba, it is obviously still night time, but a short time later when he turns it off there are rays of sunshine pouring through the window as if it is late morning. See more »
H.P Lovecraft had a twisted imagination. Director Stuart Gordon and writer Brian Yuzna equally so. The team who brought us the excellently morbid black horror/comedy "Re-Animator", present us with another tasty Lovecraft nightmare of kinky sexual ecstasy and luridly graphic terror in the frame of "From Beyond". From the story, to the special effects and atmosphere everything comes off resourcefully artistic and grippingly bizarre. Not only does it want to gross you out with its repellently heinous make-up FX, but also draw you into a satirical variant of the pleasure to seek out forbidden knowledge. This quest is a fixation, with sexual stimulation and escalating fear gelling together to construct a desirably moody mind trip of psychedelic colour and shades. Gordon's competent direction is highly stylised and reworks grisly jolts to perfection. Even the gloomy atmosphere holds tight, and smothers any sort of hope with total bleakness. Yuzna adapts Lovcraft's nine page story to a feature length premise, and he does a splendid job in keeping it impulsively smart and provokingly bold within a brief framework, but some laborious spots in the script eventually creep in. The dark tongue-in-cheek humour is there, but unlike "Re-Animator" it's deviously slight in manner. It features a likable worthy cast of horror favourites. Jeffery Combs, Barbra Crampton (who looks great in bondage), Ken Foree and a superlatively loony Ted Sorel in impressively gooey make-up. Richard Brand's accomplished, racy music score incorporates a shuddery intensity that works with the deliriously erotic pull. This is probably my ideal Brand score. While I might prefer "Re-Animator", this freaky cult-fave is not far behind.
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