The discovery of a severed human ear found in a field leads a young man on an investigation related to a beautiful, mysterious nightclub singer and a group of psychopathic criminals who have kidnapped her child.
After a car wreck on the winding Mulholland Drive renders a woman amnesiac, she and a perky Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.
A Victorian surgeon rescues a heavily disfigured man who is mistreated while scraping a living as a side-show freak. Behind his monstrous façade, there is revealed a person of kindness, intelligence and sophistication.
College student Jeffrey Beaumont returns to his idyllic hometown of Lumberton to manage his father's hardware store while his father is hospitalized. Walking though a grassy meadow near the family home, Jeffrey finds a severed human ear. After an initial investigation, lead police Detective John Williams advises Jeffrey not to speak to anyone about the case as they investigate further. Detective Williams also tells Jeffrey that he cannot divulge any information about what the police know. Detective Williams' high school aged daughter, Sandy Williams, tells Jeffrey what she knows about the case from overhearing her father's private conversations on the matter: that it has to do with a nightclub singer named Dorothy Vallens, who lives in an older apartment building near the Beaumont home. His curiosity getting the better of him, Jeffrey, with Sandy's help, decides to find out more about the woman at the center of the case by breaking into Dorothy's apartment while he knows she's at work...Written by
In an interview, Dennis Hopper claimed that writer/director David Lynch would never say the word "fuck" during filming, he would simply point to the line in the script and say "that word". Hopper laughed, saying "He can write it, but he won't say it. He's a peculiar man." Lynch has said this isn't exactly true, but he didn't want to charge the atmosphere anymore than it already was. See more »
After Frank and Ben received their glasses there's some froth topping Frank's beer, but not Ben's. However, in the close-up of Ben there's clearly a thin layer of froth. Back to both in frame, and again Ben's beer has no froth. See more »
It's a sunny, woodsy day in Lumberton, so get those chainsaws out. This is the mighty W.O.O.D., the musical voice of Lumberton. At the sound of the falling tree, it's 9:30. There's a whole lotta wood waitin' out there, so let's get goin'.
Mr. Beaumont? Your son Jeffrey's here to see you.
See more »
A German version omits the entire scene where Frank first rapes Dorothy that Jeffrey witnesses from inside her closet, and it is only implied that he raped her. See more »
Cast: Isabella Rosellini, Kyle Mac Lachlan, Dennis Hopper, Laura Dern
Review: David Lynch films are paintings come to life, this has very much to do with the fact that Lynch himself is a painter and he brings that artistic point of view to his film making. Like a good painting, his movies tell a story, which much like an abstract painting, is not always easy to figure out. But what a treat it is to try.
Blue Velvet is a story about a young man returning to his hometown to visit his father who is sick in the hospital. Upon his return he stumbles upon a frightening discovery: a human ear lying on the grass as he walks through the forest behind his parents home. He then takes it upon himself to discover where this ear came from and discovers that that ear will be the reason why he discovers that this is in fact a very strange and dangerous world in which we live in.
Lynch is synonymous with the strange and unusual and Blue Velvet is a good example of this. For those who have ventured into Lynchian territory with films like Mullholland Dr. or Lost Highway get ready for some more crazy imagery and messed up situations. But Ill be honest this time around, even though the situations and images are very very surreal and strange the story itself is pretty easy to understand. Lost Highway remains a total mystery to me to this day, Mullholland Dr. I had to watch about 6 times to figure out....but Blue Velvet though equally as strange and fascinating as those films mentioned, is actually easy to follow and understand.
I loved Kyle MacLachlans character and it was very interesting to see him go through the changes he goes through after he makes his discoveries. He isn't quite the same anymore after he sees the things he sees and does the things he does. Loved that scene in which Laura Dern tries to let him see that even though there's some crazy things in this world there's some good bound to show up sooner or later. Laura Derns character was beautiful and innocent, the one thing that could bring balance to MacLachlans character. By far the most interesting and memorable thing in this film is Dennis Hoppers character, yes my friends, I'm talking about that crazy, demented, sex-crazed freak known as Frank Booth.
Frank Booth is one of those characters that just oozes with evil. You don't feel like its this actor playing some villain, when that happens you totally stop believing that said villain is dangerous. Not so here. Hopper looks, breaths and speaks pure evil! Your kind of scared that there might actually be people like him out in the real world. His scenes and dialog is truly disturbing stuff....."Ill f##C@ anything that moooves!"
I loved the visual aspect of the film which was -as is usual in a Lynch film- extremely beautiful. We may be looking at sliced human ears and demented sex freaks...but everything is photographed within the context of beautiful haunting colors, exotic plays of shadows and lights. Great visuals. The music is incredible as well. Lynch seems to be fond of lounge singers cause very much like he did in Mullholland Drive in Club Silencio, we get another sequence much like that one, with Isabella Rosellini singing us "Blue Velvet" the title song. And there's also a sequence which is very very humorous yet strange and alluring....Dean Stockwell singing Roy Orbinsons "In Dreams". Awesome sequence, one of the most memorable sequences on this film or any other Lynch film. When that scene comes on, you'll be transported to another time and place. What time and place it is Ill leave it up to you.
All in all a great Lynch film not to be missed. A masterpiece that lets me know why Lynch is one of the greatest American directors ever to be in the business of making bizarro, beautiful cinema.
Rating: 5 out of 5 (and very very much so!)
121 of 166 people found this review helpful.
Was this review helpful to you?
| Report this