Marcus Vinicius meets Lygia in Rome and falls in love. But she is Christian and doesn't want anything to do with him. Marcus decides to kidnap her but Ursus, her bodyguard, catches Marcus. ... See full summary »
A young Italian director brings a group of filmmakers to Italy. While encountering various faces of the Italian decline, the trip turns into an existential experience arising doubts within ... See full summary »
Alek is an immigrant from the Soviet Union who was a talented boxer in his day, but he was not allowed on the Soviet national team because he was a Jew. Depressed and discouraged, he meets ... See full summary »
Klaus Maria Brandauer,
Set during the fading glory of the Austro-Hungarian empire, the film tells of the rise and fall of Alfred Redl (Brandauer), an ambitious young officer who proceeds up the ladder to become ... See full summary »
Klaus Maria Brandauer,
Hans Christian Blech,
Epic drama of forbidden love in Pompeii at the city's height of glory, up to the eruption of Vesuvius in AD 79. We follow nobles, slaves, gladiators and the secret gatherings of early Christians. Mostly in English.
The most positive element of this miniseries-version of 'Quo Vadis' is it lacks the bombastic tone or settings usually connected with this type of genre. Many may consider the direction by Franco Rossi as slow, but to me it's rather very comfortable in comparison to the fast cutting-virus the historical pieces are handicapped by nowadays, as shown in movies like 'Troy'. It's a relief the makers make time to unfold Sienkiewicz novel and let us become involved in the story and focus on the downfall of decadent Rome and rising of humanity.
Unfortunately, there are some serious drawbacks to this version on other areas. Prepare yourself for mostly irritating synchronized dialog, where the voices of the actors are spoken by others. I believe Max Von Sydow (who gives us a great and moving performance as Peter) was one of the few who was allowed to keep his voice for his part. The greatest disappointment is however the role of Nero, played by Klaus Maria Brandauer. He has not any resemblance with the real Nero, who was fat and had a overall brutal appearance. Brandauer's characterization of Nero is over the top, his boredom with everything and everyone becomes irritating to the point you want him to die in the flames of Rome fast. And we have seen this view of the unpredictable, cruel, and bored Roman emperor many times before. We feel no compassion for Brandauers Nero when he loses the love of everyone around him, even that of Popea, played by the beautiful Christina Raines.
For photography, story-telling and Max Von Sydow, you may enjoy this movie.
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