Teenage geniuses deal with their abilities while developing a high-powered laser for a university project. When their professor intends to turn their work into a military weapon, they decide to ruin his plans.
Freddy the gym teacher has to teach remedial English in summer (high) school, if he wants tenure. As he can only teach gym and his students want fun, emphasis is on "field trips" - until he's fired unless all his students pass the test.
Martin Blank is a professional assassin. He is sent on a mission to a small Detroit suburb, Grosse Pointe, and, by coincidence, his ten-year high school reunion party is taking place there at the same time.
The teenager Lane Meyer has a crush on his girlfriend Beth Truss. When Beth dumps him to stay with the successful skier Roy Stalin, Lane is depressed and decides to commit suicide. However he gives up and tries to improve his skill of skier to ski the dangerous K12 slope to impress Beth. Meanwhile his neighbor Mrs. Smith receives the exchange French student Monique Junot and her fat son Ricky Smith considers Monique his girlfriend; however, Monique has an unrequited crush on Lane that does not note her. When Lane stumbles upon Monique in a high-school party, he befriends her. The upset Lane challenges Roy in a competition on the K12 slope but then he regrets. However Monique is a great mechanic and skier, and fix Lane's Camaro and teaches him how to ski the K12 slope. What will happen to Lane?Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The Camaro SS seen in the film was owned by the son of the transportation captain, who sold the car in 1989 a few years after the film's release. In 2002, the Camaro was located (in poor condition) at a private residence, where it was purchased, transported from Los Angeles to Orlando, Florida, stripped down, and restored by repair shop Time Machines of Hudson, Florida. The film car did not have the original motor (it was swapped out for a Chevrolet 400 out of a mid-1970s Impala or truck). As of 2014, the Camaro has been seen at several car shows. See more »
Lane trips on the skates and accidentally pulls Chris' cheerleader outfit down around her ankles, exposing her underwear-clad body to the cafeteria. In the next shot that shows the outfit, it is away from her body, closer to lane, not near her feet. If Lane had actually pulled the outfit out from under her skate-clad feet, she would have tripped. See more »
Four weeks, twenty papers, that's two dollars. Plus tip.
Gee Johnny, I don't have a dime.
Didn't ask for a dime. Two dollars.
Well... it's funny see... my mom, had to leave early to take my brother to school and my dad to work cuz...
...two dollars... cash.
See... the problem here is that... my little brother, this morning, got his arm caught in the microwave, and uh... my grandmother dropped acid and she freaked out, and hijacked a school bus full of... penguins, so it's kind of a ...
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When Lane and Monique are at Dodgers Stadium sitting on his Camaro, the camera pulls away to a long shot. The paperboy (I want my two dollars!) can be seen riding across the baseball field towards them. See more »
The network version (which most commonly airs on Comedy Central) had several scenes removed, including the jello snorting scene, Lane's brother with the "How to Pick Up Trashy Women" (along with the women themselves), and the Q-Tip scene in the bathroom. See more »
Ahhhh...an actual dark comedy. I watched this again, to clear my mind of "Wilbur..."
What makes this a cut above is the composition of sight gags -- 'How to build a space shuttle out of household items' is in the foreground, and then the eye pulls back to reveal the mother battling a sea monster in a pot, which frustrates her attempt to cook it...Cusack frets over an impossibly broken binding, and in the same frame the 'paperboy from hell' appears on a weatherized delivery bicycle...it's priceless stuff.
The story is told visually, you see...this has less to do with dialogue (although what there is of it, is classic), than with the idea of the writer's imagination conflated with movie imagination conflated with movie 'reality'. We see Holland seeing Cusack seeing the situations somewhere in between Holland's imagination and the platform of the movie (high school role playing - already a confused reality). At key points, Holland literally invents characters on paper or in stop motion animation to further warp that perception. These realities continually blur with 'real' reality, and the sheer absurdity keeps it seamless.
Some impressive camera work during the skiing portions.
This is capable film-making that can be enjoyed as what it was meant to be.
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