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Hundra (1983)

Not Rated | | Adventure, Fantasy | 23 July 1983 (Spain)
Born in a tribe of fierce warrior women, the archer and sword fighter, Hundra, has been raised to despise the influence of men. Superior to any male, Hundra takes a vow of revenge until one day she finds love.

Director:

Matt Cimber

Writers:

John F. Goff (screenplay) (as John Goff), Matt Cimber (original story) | 1 more credit »
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Cast

Cast overview, first billed only:
Laurene Landon ... Hundra
Cihangir Gaffari Cihangir Gaffari ... Nepakin (as John Ghaffari)
María Casal María Casal ... Tracima
Ramiro Oliveros ... Pateray
Luis Lorenzo Luis Lorenzo ... Rothrar
Tamara Tamara ... Chrysula
Victor Gans Victor Gans ... Landrazza
Cristina Torres Cristina Torres ... Shandrom
Bettina Brenner Bettina Brenner ... Hundra's Mother
María Vico María Vico ... Midwife
Fernando Bilbao ... Torente (as Fernando Bilbao 'Fred Harris')
Jorge Bosso Jorge Bosso ... Gordoza
Elena Segovia Elena Segovia ... Young Girl
Hilda Fuchs ... Mother of Girl
Fernando Martínez Fernando Martínez ... Cave People Chief
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Storyline

It's the Dark Ages, and savage men enslave all women, but except for one woman who was born in a tribe of fierce warrior women Hundra the Invincible has been raised to despise the influence of men. Her name is Hundra, the finest warrior of her people. Hundra seeks out her elder, she leads a valiant tribe of women who dares to be free. Written by Anthony Pereyra {hypersonic91@yahoo.com}

Plot Summary | Add Synopsis

Taglines:

Hundra, hunter of man... A woman turned warrior in a vengeance quest against the evil of man... See more »

Genres:

Adventure | Fantasy

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Did You Know?

Trivia

Laurene Landon performed almost all of her own stunts in the movie. The only stunt she didn't perform was a backwards fall from a 180 foot tower. See more »

Goofs

Hundra is seriously injured in the thigh by a pitchfork, but shortly afterward there are no marks from the wound. See more »

Alternate Versions

Although uncut by the BBFC the UK Blackhorse DVD is over a minute shorter than earlier cinema & video versions and has less sex and violence than previous releases. The U.S Subversive DVD features the full uncut version. See more »

User Reviews

 
Hundra the Warrior Princess & the Quest to Make Babies
17 April 2016 | by brando647See all my reviews

I don't care for the sword-and-sandal fantasy genre that permeated the 80's with movies like the CONAN films and RED SONJA and BEASTMASTER. This was probably because I was only a child with no one to introduce me to them and, growing up, they just looked like live action heavy metal album covers, and I've never gone back to see what I've been missing since. But I've recently stumbled on one that's not half bad. Far from the level of CONAN and its ilk, the low-budget HUNDRA makes up for its flaws with heart and intent. It's set on an alternate world where women are second-class citizens, treated as property or pets. At some point in the past, a band of women broke away from the men-centric society to form a roaming band of nomads that only interact with the world of men when they need to impregnation. Except one member of the tribe, Hundra (Laurene Landon), can't be bothered to contribute a child. She'd rather continue being a warrior/huntress and let her younger sister do all the child-bearing. One fateful day, while Hundra is out on a hunting run, her tribe is attacked by a band of barbarian men who rape and pillage, leaving no survivors. When she returns to find everyone she's ever known and loved slaughtered, Hundra consults an oracle as to how she should proceed. The answer to Hundra's quandary…how she could best avenge her people and such…is to get pregnant. And so Hundra must enter the world of men and find a suitable mate with which to fulfill her destiny.

What I think I enjoy most about HUNDRA is that it feels like a horribly misogynistic film with a main character who didn't get the memo and proceeds to rebel against the script and film itself as the ultimate icon of women empowerment. It would be one thing if the men were just abusive and sexist, but the fact that Hundra's destiny is to find a nice man and get pregnant, and that she's cool with it, means the women don't seem too keen on fighting this imagery. When Hundra first comes face-to-face with Pateray (Ramiro Oliveros), a healer in the city of men where she spends the second half of the film, and he turns her away because he's not the type of dude to randomly sleep with any woman who comes crashing through his roof, her response is to allow herself to get captured and imprisoned in the temple where she knows she'll receive training in proper use of lipstick, eye shadow, and forks. If Pateray won't have her as is, she'll doll herself up and make herself a proper lady. It feels like a major tonal conflict with literally everything else in the movie. I mean, this is the same woman who routinely spits at the very idea of allowing herself to get close to a man and spent a previous scene blowing off some steam by giving a potential rapist the beating of his life. It could just be that I'm having a hard time understanding what it is this movie is attempting to tell me (and, keep in mind, this came out in 1983…it was a different time) and I'm just infinitely amused at how this is the most misogynistic "girl power" film I've ever seen.

This isn't your average low-budget fare either. The production value on this film is actually pretty impressive for what it is. The production design and costuming were commendable. The fight choreography, not so much. Most of the fights were more humorous than heart-pounding, with blows flying slowly and uncoordinated. But we get plenty of them. Hundra is, after all, a warrior. And Laurene Landon is giving it her all, even if her performance is wooden. I think because her heart is in it as much as it is, I found it easier to forgive the fact that she wasn't the greatest actress. Few people in this movie are, with exceptions for Ramiro Oliveros (who was genuinely decent) and Luis Lorenzo (who gave a scene-chewing performance as the high priest's adviser in charge of sex slaves). All combined, I suppose HUNDRA is on par with your average cable TV movie but just a little crazier. HUNDRA was written and directed by Matt Cimber, and I love when low budget movies are written and directed by the same person (bonus points if produced as well) because it means there's a lower chance that someone will stand up to them when things just aren't working. It's how I choose to explain scenes such as Hundra's random battle with a painted dwarf on a pony wielding a pitchfork and Hundra's naked, horseback jaunt along the beach that, again, seemed to serve no purpose other than to increase the film's level of nudity. Cimber thought they'd be iconic scenes and add legitimacy, but they're memorable for the complete opposite reason.

Striving to be more than it is, HUNDRA falls short but manages to entertain in spite (and perhaps in part) of its shortcomings. Of the half dozen Z-grade movies I've treated myself to recently, HUNDRA is probably the only one I'd be willing to acknowledge as genuinely entertaining and not just schlocky fun. The plot's a little stupid, the messages seem confused, and the tones are all over the place (the rapist beatdown is accompanied by music suitable for the sweetest scenes in THE PRINCESS BRIDE) but despite all that, Hundra is a strong female presence in a movie that tries its hardest to whip her in line. Hundra may be destined to get pregnant to save her kind, but she's doing it on her terms. I enjoyed watching her battle against the tyrannical world of men and I'm frankly a little surprised this one doesn't have more of a cult following.


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Details

Country:

Spain | USA

Language:

Spanish

Release Date:

23 July 1983 (Spain) See more »

Also Known As:

Hundra See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (DVD)

Sound Mix:

Mono

Color:

Color (Eastmancolor)

Aspect Ratio:

2.35 : 1
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