Skip tracer Tommy looks for bail-jumper Lou Ann. Her crime is marrying Roy, who left counterfeit money in their mobile home and got her arrested. She leaves Roy in his pink Cadillac full of money. His psycho friends want their money back.
A hard but mediocre cop is assigned to escort a prostitute into custody from Las Vegas to Phoenix, so that she can testify in a mob trial. But a lot of people are literally betting that they won't make it into town alive.
Kansas City in the 1930s: Private Investigator Mike Murphy's (Burt Reynolds') partner is brutally murdered when he tries to blackmail a mobster with his secret accounting records. When a rival gang boss goes after the missing records, ex-policeman Murphy is forced to team up again with his ex-partner Lieutenant Speer (Clint Eastwood), even though they can't stand each other, to fight both gangs before Kansas City erupts in a mob war.Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
In the gunfight scene in the street, when Lt. Speer is walking down the street with the pump-action shotgun, the audio is of the action being operated in one fluid motion, while the video shows the action being pulled open, Speer pauses momentarily, and then closes the action, with no sound. See more »
[the phone rings again after Murphy hangs up on his girlfriend, but Murphy makes the mistake in thinking it is his girlfriend calling him again]
Ok, I'll come over and buff your body and put a nice glow to your cheeks.
And I'll bring a nice foot to your ass.
See more »
It's 1933 and in Kansas City, we follow that of Detective Murphy, as his partner has just been killed by some big-heads and he finds himself caught up in the web he has left behind. While, this is going on Lieutenant Speer also investigates, but when the two collide, there are some fireworks, as they have a work history together. But they have to put their differences aside, if they are going to get the job done.
Should I call this a disappointment, because the effortlessly shallow material just doesn't go hand-to-hand with the talent that was involved. This parody / drama on noir and tough-guy images is no more than a vehicle for the two stars, who just seem to be slumming it out here. It's not a bad film, because it's well made, but the story doesn't entirely hit any strides, it changes direction between spoof and drama with mixed results and it can be quite tedious in spots. All the accolades though, would have to go to the delightfully smooth Burt Reynolds in the role as the charismatic, smart-guy detective Murphy. His presence definitely overshadows Eastwood. But the colourful banter and always at odds attitude between the two, makes it a fun pairing up to watch, as they work off each rather nicely. Clint Eastwood, plays the straight-faced, no-bull Lieutenant Speer with his usual approach and sly humour. They both get some highly witty, top-notch lines. The supporting cast are satisfactory with the likes of Rip Torn, Jane Alexander, Irene Cara, Richard Roundtree and Robert Davi dusting in with a skew of personalities. While, they're worth better material, they all do the best with what they're given to work with. The feel of the 1930's has an artificial air about it here, as clearly you can't escape the back-lot sets. But still it's professionally catered for with a pleasant blues score and a dour colour scheme crafted in to get that glum, wet atmospheric night build-up of Kansas City. The direction of Richard Benjamin is quite standard, but it has some neat photography techniques of the period and a few flashy impulses, like one fine and exciting late-night shoot-out in a deserted street.
Nothing much out of the ordinary and very forgettable, but only the fans of two stars should really bother with this one.
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