Texas bar owner Julian Marty, who is generally regarded as not a nice person, hires shady private detective Loren Visser, who is able to obtain what Marty requests evidence - in this instance, photographic - that his wife, Abby, and one of his bartenders, Ray, are having an affair. As Ray and Abby realize that Marty has found out about them, it allows them to plan for their future away from Marty, while be up front with Marty about the situation. Marty, in turn, decides to hire Visser once again, this time to kill Abby and Ray, and dispose of their bodies so that they won't be found. The out in the open affair and the contract hit lead to some actions based on self interest, and a standoff of sorts between the four players, which is compounded in complexity by some wrong assumptions of what has happened, with an innocent bystander, another of the Marty's bartenders, Meurice, potentially and unwittingly adding to the scenario.Written by
The Directors' Cut is actually 3 minutes shorter than the feature release. See more »
The German shepherd at Ray's house is different than the one at Marty's. See more »
Private Detective Visser:
The world is full o' complainers. An' the fact is, nothin' comes with a guarantee. Now I don't care if you're the pope of Rome, President of the United States or Man of the Year; somethin' can all go wrong. Now go on ahead, y'know, complain, tell your problems to your neighbor, ask for help, 'n watch him fly. Now, in Russia, they got it mapped out so that everyone pulls for everyone else... that's the theory, anyway. But what I know about is Texas, an' down here... ...
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Opening credits list the main cast, but none of the crew. All of the crew credits are at the end of the film, starting with Joel Coen as director. See more »
Norwegian version was cut to get an 16 rating. See more »
Try to watch this without talking to the characters...
I think this film, probably more than any other, causes me to talk to the characters on the screen in an exasperated way--something akin to the way you want to yell at the characters in a slasher movie not to run outside to investigate sounds.
The only difference is that this film is fantastic, whereas cheap slasher movies are not. Blood Simple is emotionally involving and the suspense is played to perfection. While the characters are completely clueless as to what has gone on around them, we know everything. What we don't know is what the characters are going to do next.
As in every Coen film, things quickly get out of control. Some people have commented that the characters here acted unbelievably, but I'd have to say that when you think about their situations, the reactions are completely compatible with the way the characters are set up. The problem is that nobody knows what's going on except the viewers.
Coen fans will notice many recurring themes from their other films (especially Fargo and The Big Lebowski) such as the use of headlights, passing motorists witnessing a crime, shower curtains and bathroom windows, detectives driving VW beetles, husbands hiring the wrong people to carry out a crime... I had a longer list in mind earlier while watching it but I've forgotten some. It's almost like these films all go together as a series of films depicting how similar situations would end up in different locations in America.
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