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Another Country (1984)

PG | | Biography, Drama, Romance | June 1984 (UK)
Based on the life of the young Guy Burgess, who would become better known as one of the Cambridge Spies.

Director:

Marek Kanievska

Writers:

Julian Mitchell (screenplay), Julian Mitchell (play)
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Nominated for 3 BAFTA Film Awards. Another 1 win & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Rupert Everett ... Guy Bennett
Colin Firth ... Tommy Judd
Michael Jenn ... Barclay
Robert Addie ... Delahay
Rupert Wainwright ... Devenish
Tristan Oliver ... Fowler
Cary Elwes ... James Harcourt
Frederick Alexander Frederick Alexander ... Menzies
Adrian Ross Magenty Adrian Ross Magenty ... Wharton
Geoffrey Bateman Geoffrey Bateman ... Yevgeni
Phillip Dupuy Phillip Dupuy ... Martineau
Guy Henry ... Head Boy
Jeffry Wickham Jeffry Wickham ... Arthur (as Jeffrey Wickham)
John Line John Line ... Best Man
Gideon Boulting Gideon Boulting ... Trafford
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Storyline

Based on the award winning play by Julian Mitchell, the film explores the effect of Public School life in the 1930's on Guy Bennett as his homosexuality and unwillingness to "play the game" turns him eastwards towards communist Russia. Written by Craig Wood <cew@jiffi.demon.co.uk>

Plot Summary | Add Synopsis

Taglines:

He outraged his friends. He rebelled against his family. Finally, he betrayed his country. See more »


Certificate:

PG | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK

Language:

English

Release Date:

June 1984 (UK) See more »

Also Known As:

Druga zemlja See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby

Color:

Color
See full technical specs »
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Did You Know?

Trivia

Eton College reportedly declined to allow filming at the school. See more »

Goofs

[All goofs for this title are spoilers.] See more »

Quotes

Guy Bennett: There's a little hollow at the base of his throat which make me want to pour honey all over him, and lick it off again.
See more »

Connections

Referenced in Love Exiled (2010) See more »

Soundtracks

Prelude in D flat major 'Raindrop' Opus 28 no. 15
(uncredited)
Written by Frédéric Chopin
See more »

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User Reviews

 
Transferred Nationalism
24 June 2017 | by JamesHitchcockSee all my reviews

Although the closing titles contain the standard "all characters are fictitious" disclaimer, the scriptwriter Julian Mitchell has never denied that his main character Guy Bennett is a thinly-disguised portrait of Guy Burgess, one of the notorious Cambridge spy ring who acted for Soviet Russia. The film is mostly set in an English public school during the 1930s, based on Eton where Burgess was educated. (What shocked British society most about the spy ring was not so much the treachery of its members as the fact that most of them were from well-off Establishment families and educated at the country's most prestigious schools).

At the heart of the film is the friendship between Bennett and another student, Tommy Judd. Although they are very different in personality, they are drawn to one another because both, in their own way, are rebels against the system. Judd, a committed Marxist, is a rebel with a cause who despises the school and all it stands for. Bennett is a rebel without a cause whose attitudes are rather contradictory. He can see the absurdity and hypocrisy of the public school system and of the Establishment in general, but still wants to benefit from that system. His greatest ambition is to become a "god", school slang for a senior prefect, regarded as the school's social elite. Much of the plot revolves around the machinations of various senior pupils to achieve this coveted distinction; Judd is virtually alone in disdaining it. At this stage Bennett is not actually a Communist; when Judd quotes Lenin's attack on Karl Kautsky, spouting a lot of Marxist jargon in the process, Bennett replies "Oh, that's bad!", but in a sarcastic tone of voice which implies that he neither knows nor cares what Judd is talking about.

Bennett is also trying to come to terms with his homosexuality. He is engaged in a sexual relationship with another boy, James Harcourt, and there are indications that he has engaged in similar behaviour with others. The school's attitude to homosexuality, in fact, is fairly schizophrenic. Bennett and Harcourt are by no means the only pupils involved in gay relationships; indeed, another boy in Bennett's house has recently committed suicide after being caught in flagrante with his lover by a teacher. The greatest concern, however, of the staff and most of the prefects is the need to avoid scandal; gay relationships are quietly tolerated provided they are kept discreet. When one prefect, Fowler, attempts to crack down on homosexuality, motivated by Puritanical religious zeal, he makes himself very unpopular with his fellows, who fear that he might uncover things best left hidden. Bennett represents a challenge to this system of organised hypocrisy, not because he is gay but because he is temperamentally incapable of discretion. The greatest sin is to get caught, because that would force the authorities to take action they would prefer to avoid.

If scandal does leak out, the authorities prefer to insist that the boys were merely experimenting or going through a youthful phase. Even the otherwise nonconformist Judd takes this line. (Unlike some of his colleagues, he is firmly heterosexual and regards homosexuality with bemused incomprehension). Bennett, however, realises that being gay is an inescapable part of who he is, not a mere passing fad, and that he will never love women. The film's implication, in fact, is that Bennett/Burgess spied for the Russians not because he was a convinced Communist but as an act of revenge against the British Establishment for rejecting him on account of his sexual orientation. He never asked himself whether his sexuality would be any more acceptable to the Soviet Establishment than it was to the British one. (By the time the film was made in 1984, homosexuality had been legalised in Britain but remained strictly banned in Russia).

On one level the title "Another Country" is derived from a line in the hymn "I Vow to Thee, My Country", which we hear being sung, although on another it refers to the Soviet Union, the state to which Judd and ultimately Bennett give their loyalty, with perhaps a hidden reference to Orwell's theory of "transferred nationalism"- the idea that supporters of Stalin and Soviet Russia were motivated by the same type of uncritical, unthinking nationalism as flag-waving British jingoists, with the difference that their loyalty was transferred from their own country to a foreign one.

"Another Country" was made by Goldcrest, the company which has become most closely associated with the great British cinematic revival of the eighties, but unlike some of their other productions it has largely disappeared from view over the last thirty years. In 1984, controversy over the spy ring was still raging. Leftists, who might under other circumstances have been sympathetic to Communism, savagely attacked the spies as prize examples of upper-class treachery and corruption, whereas some rightists, most notoriously Peregrine Worsthorne, attempted to defend them on the grounds that loyalty to one's beliefs could be more important than loyalty to one's country.

Since the end of the Cold Way we no longer care as much about the Cambridge Spies as we once did, which may explain why "Another Country" can seem unfashionable these days. It is, however, a very good film, distinguished by an excellent performance from a young Colin Firth as Judd, surprisingly likable despite his extremist views, and an even better one from Rupert Everett as the floppy-haired, nonchalantly rebellious yet secretly vulnerable Bennett. It also has a lot to say about matters of perennial importance- loyalty to country, loyalty to friends, political idealism and the rights of sexual minorities. An intriguing and thought-provoking film. 8/10


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