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2010: The Year We Make Contact (1984)

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2:11 | Clip
A joint U.S.-Soviet expedition is sent to Jupiter to learn what happened to the Discovery... and HAL.

Director:

Peter Hyams

Writers:

Arthur C. Clarke (novel), Peter Hyams (screenplay)
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Popularity
4,328 ( 255)
Nominated for 5 Oscars. Another 1 win & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
Roy Scheider ... Dr. Heywood Floyd
John Lithgow ... Dr. Walter Curnow
Helen Mirren ... Tanya Kirbuk
Bob Balaban ... Dr. R. Chandra
Keir Dullea ... Dave Bowman
Douglas Rain ... HAL 9000 (voice)
Madolyn Smith Osborne ... Caroline Floyd (as Madolyn Smith)
Dana Elcar ... Dimitri Moisevitch
Taliesin Jaffe ... Christopher Floyd
James McEachin ... Victor Milson
Mary Jo Deschanel ... Betty Fernandez, Bowman's Wife
Elya Baskin ... Maxim Brajlovsky
Saveliy Kramarov ... Dr. Vladimir Rudenko (as Savely Kramarov)
Oleg Rudnik Oleg Rudnik ... Dr. Vasili Orlov
Natasha Shneider ... Irina Yakunina
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Storyline

In this sequel to 2001: A Space Odyssey, a joint American- Soviet expedition is sent to Jupiter to discover what went wrong with the U.S.S. Discovery against a backdrop of growing global tensions. Among the mysteries the expedition must explain are the appearance of a huge black monolith in Jupiter's orbit and the fate of HAL; the Discovery's AI computer. Based on a novel written by Arthur C. Clarke. Written by Keith Loh <loh@sfu.ca>

Plot Summary | Plot Synopsis

Taglines:

The year we make contact. See more »


Certificate:

PG | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Russian

Release Date:

7 December 1984 (USA) See more »

Also Known As:

2010: Odyssey Two See more »

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Box Office

Budget:

$28,000,000 (estimated)

Opening Weekend USA:

$7,393,361, 9 December 1984

Gross USA:

$40,400,657

Cumulative Worldwide Gross:

$40,400,657
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

70 mm 6-Track (70 mm prints)| Dolby Stereo (35 mm prints)

Color:

Color (Metrocolor)

Aspect Ratio:

2.20 : 1
See full technical specs »
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Did You Know?

Trivia

Roy Scheider, who plays Heywood Floyd, once had a dolphin. In SeaQuest 2032 (1993) he plays Capt. Nathan Bridger, who also had a dolphin. See more »

Goofs

Numerous differences in the Discovery from 2001: A Space Odyssey, as director Stanley Kubrick deliberately had the models and sets destroyed. Also in 2001: A Space Odyssey, HAL has flat display screens (note the pod bay interface); they are shown here as CRTs. See more »

Quotes

[first lines]
Dave Bowman: My God! It's full of stars!
See more »


Soundtracks

Lux Aeterna
By György Ligeti
Performed by the North German Radio Chorus
Conducted by Helmut Franz
Courtesy of Deutsche Grammophon
A division of PolyGram Classics
See more »

Frequently Asked Questions

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User Reviews

 
Excellent sci-fi... give it a chance!
23 May 2009 | by pranakhanSee all my reviews

This is an excellent SCIENCE-fiction film. It carries on the story introduced in Kubrick's "2001", and ties up many loose ends and clarifies what happened in the first film. The effects are excellent even by today's standards, the acting is believable, the characters are well-developed, its pacing is tight, and its plot is well-executed. Finally, this is TRUE science-fiction, not space-opera, and I wish more movies were like this. I hope someone worthy picks up the remaining 2 Clarke novels for the screen.

Now:

1. To everyone saying this is a weak film because it doesn't match the depth, mystery, and style of Kubrick's 2001: You guys need to open your minds a bit! It's ridiculously unfair to measure this sequel, or any film, against 2001. It is, frankly, impossible for ANYONE to produce a film that matches Kubrick's style unless that someone *IS* Kubrick himself! 2010 was not produced to COMPETE with 2001 at all, the director stated that he never would have produced this film without Kubrick's and Clarke's BLESSING. I'm sure the director deliberately avoided copying any of the style of 2001 at the risk of failing miserably and upsetting his own idol. Kubrick told the director to make this movie his own, thus the director did! If you go cynically comparing all sci-fi films to rare masterpieces you will only end up ruining your own chance of enjoying them for their own merits. It's like saying all music is of dubious value because it wasn't composed by Beethoven! You're only hurting and embarrassing yourself.

2. A number of reviewers felt that the monitors on the ships (actual CRTs built into the sets) look cheesy due to their pixellated graphics and curved faces. Well, you guys are assuming that Kubrick's film has flat panels because of some scientific rationale about the future. Did you think that maybe Kubrick didn't use CRTs on his sets was because they did not have color CRTs available in 1968 that were small or cheap enough to build into his sets? All his screens were flat because they used slide projectors to flash static images against the back of semi-transparent screens. Most images were hand drawn to resemble possible computer generated images. The original 2001 scene of the videophone was created by projecting a reel of film against the back of a screen. In 1984, the computer industry was just starting to explode, and color-CRT displays as small as 12" were readily available! When those set designers sat down to think about what the ship of the future would look like, they rationalized that they would be full of CRT displays in 2010, which was only 27 years in the ACTUAL future! How could they know we'd have low cost high resolution LCD flat-screens after only 17 years? You limit your enjoyment by over-intellectualizing everything with a cynical attitude. Of course the graphics were blocky! They were rendered by REAL computers, not hand drawn by artists. I'm sure in 1984 they felt that was a great idea and a nod towards future possibilities!

3. Many people criticize the heavy amount of dialog in 2010 contrasted to the lack of dialog in 2001. Again, we're falling back on the "not Kubrick" style issue. Regardless, you do realize that the BOOK for 2001 was FULL of dialog, right? You DID realize that 2001 is not JUST a film, it has a companion novel several hundred pages long? Since it's a story developed by TWO people, and not just Kubrick, perhaps the lack of dialog is only one director's idea at visualizing the novel and not integral to the STORY itself?

4. Some have heavily criticized the scientific components of 2010, stating that Kubrick had NASA consultants available when he made his film, and that 2010 is weak in this area... Well, I'm wondering why you assume that it wasn't the same case for 2010? Do you have some kind of special insider info about the making of 2010? Because, I believe that there are numerous production notes readily available clearly stating that the director of 2010 was careful in this regard and had many scientific consultants involved in the production of 2010. There is a whole book containing copies of emails between the director of 2010 and Clarke! I remember reading that even Carl Sagan had input into 2010! Oh yeah, lets not forget that Clarke makes a brief cameo in the film, and that both Clarke and Kubrick appear on a magazine cover in the film? If that's not an official endorsement of the film's authenticity and canon, then I am sorely mistaken.

I'm just getting tired of these seemingly angry, cynical, ego-maniacally tedious reviewers bashing the merits of decent films. These people often assume they're brilliant enough to understand what Kubrik (or any filmmaker) was thinking. Dude, you're not Kubrick, you're not a genius artist, you don't even make films! Cynical attitudes are self-destructive, intelligent people are by nature open-minded, and analyze things on their own merits and faults instead of holding everything against rare artistic standards from previous works. The merits or faults of any work are entirely subjective. Many people rate 2001 as one of the greatest movies ever only because all the smart-sounding people do. How many call 2001 a "masterpeice" because they truly, emotionally, and intellectually appreciate the work itself, or simply because it's Kubrick's? How many of you can even honestly answer that question without lying to yourselves?

For the rest of you... if you are open-minded, and consider 2010 for what it is: a DIFFERENT director's take on telling a story from a DIFFERENT book, produced in a DIFFERENT era, then you will enjoy this movie, appreciating that it stands on it's own as one of the top science-fiction films made. And I bet you really enjoy yourselves when you watch movies too, even if they have some flaws.

Good for you!


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