Martin is a committee man. He has numerous schemes and committees organised around the neighbourhood. He is so obsessive about every detail of everything he does he is driving his long ...
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Martin is a committee man. He has numerous schemes and committees organised around the neighbourhood. He is so obsessive about every detail of everything he does he is driving his long suffering wife, Anne, slowly crazy. Then the new neighbour Paul arrives. He has a more worldly outlook than those who live under Martin's organisational spell. There is an immediate clash of personalities because Martin treats everything so seriously, but to Paul, life is for enjoying and not to be taken so seriously.Written by
Steve Crook <firstname.lastname@example.org>
Sorry to see this excellent series damned by faint praise in another review. A quiet home-counties close is the setting for some complex characters and relationships, brought out superbly by the principals, Richard Briers, Penelope Wilton and Peter Egan. Admittedly, Howard & Hilda were a bit two-dimensional, but that was kind of the point.
While stopping short of biting satire, it nevertheless touched nerves in suburban households in much the same way as the first Reginald Perrin series. The ability to make a character like Martin Bryce likable (well, occasionally) highlights the consummate skill of Briers, who has ranged from farce to the RSC with equal ease. At first it's hard to understand how the wonderful Anne (Penelope Wilton) married him, and yet eventually you see how it could happen. A poignant and very English comedy that should see the light of day again.
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