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Veronika Voss (1982)

Die Sehnsucht der Veronika Voss (original title)
A washed up UFA actress, kept by her doctor, raises suspicion in a sports journalist.
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4 wins & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
Rosel Zech ... Veronika Voss
Hilmar Thate ... Robert Krohn
Cornelia Froboess ... Henriette
Annemarie Düringer ... Dr. Marianne Katz
Doris Schade Doris Schade ... Josefa
Erik Schumann ... Dr. Edel
Peter Berling ... Filmproduzent / Dicker Mann
Günther Kaufmann ... G.I. / Dealer (as Günter Kaufmann)
Sonja Neudorfer Sonja Neudorfer ... Verkäuferin
Lilo Pempeit Lilo Pempeit ... Chehm
Volker Spengler ... 1. Regisseur
Herbert Steinmetz Herbert Steinmetz ... Gärtner
Elisabeth Volkmann ... Grete
Hans Wyprächtiger Hans Wyprächtiger ... Chefredakteur
Peter Zadek Peter Zadek ... 2. Regisseur
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Storyline

Munich, 1955: A sports journalist meets Veronika Voss, an UFA actress who supposedly had an affair with Goebbels. Now declining, Voss is kept by her "kind" doctor, Dr. Katz, supplying her house, food, clean clothes and her favourite: morphine. Voss, trying to come back towards the cinema, cannot perform an absurdly simple scene, but it attracts the attention of the journalist, who suspects that something's very wrong regarding her doctor. Written by Sdicht <sdicht@hotmail.com>

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

West Germany

Language:

German | English

Release Date:

13 May 1982 (Netherlands) See more »

Also Known As:

Veronika Voss See more »

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Box Office

Budget:

DEM2,600,000 (estimated)

Opening Weekend USA:

$11,623, 16 February 2003

Gross USA:

$8,144

Cumulative Worldwide Gross:

$8,144
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Mono

Aspect Ratio:

1.66 : 1
See full technical specs »
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Did You Know?

Trivia

Part of the BRD Trilogy along with The Marriage of Maria Braun (1979) and Lola (1981). "BRD" stands for Bundesrepublik Deutschland, the official name of West Germany and of the united contemporary Germany, period in which those three stories takes place. See more »

Goofs

The film is set in 1955 but the song "The Battle of New Orleans" by Johnny Horton, released in 1959, is heard on the radio a number of times. See more »

Quotes

Alter Mann: When you read a book to the end, it's time to close it.
See more »

Connections

Featured in Fassbinder (2015) See more »

Soundtracks

The Battle Of New Orleans
Written by Jimmie Driftwood (as Jimmy Driftwood)
Performed by Johnny Horton
See more »

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User Reviews

Haunting and beautiful period piece
6 October 2011 | by tomgillespie2002See all my reviews

This sumptuous black and white period piece, tells the story of a once famous film star, Veronika Voss (Rosel Zech). After a chance encounter on a bus with Robert Krohn (Hilmar Thate), there lives are entwined, with Krohn finding himself trapped in a cat-and-mouse search for Voss's sanity, her past lives, and the many sycophants and gold diggers in 1950's Germany. Voss, now struggling to find work after a highly successful period, particularly in the 1940's, is addicted to drugs and alcohol and has paranoid delusions when out on the street; Krohn is pulled into this as he did not recognise who she was, and she vaguely sees him as protection.

One of the last of Fassbinder's films - he died of an overdose (the official conclusion was suicide) in 1982 - which was also the last of a trilogy focusing on Germany's economic boom in the 1950's (the others being The Marriage of Maria Braun (1979) and Lola (1981)), the film also reflects some of the themes that the New German Cinema at the time. It was a time that Germany was reflective of World War 2, and the trauma that prevailed in a country torn between guilt and a resurgence of decadence and wealth as in the 1920's Weimar Republic. It is stated in the film that Voss's best period was during this period, and that she had been the star of Nazi Germany. After the fall of Nazi domination, she was cast aside.

Like Billy Wilder's Sunset Boulevard (1950), Veronika Voss highlights an industry that can easily create monsters, and also devastate lives. But unlike Wilder's subtle version of lost fame, Fassbinder shows the devastating effects of drug addiction, and the underbelly of society that is encountered in this process. Historically though, this is deeper and a hell of a lot more emotionally charged and interesting than Sunset. After all, this is not a Hollywood story, but is a post-World War 2 story of judgement, and loss after such a integrally debasing event in human history. How do you continue after working under the despotic power of the Nazi party? The elements of Nazi Germany are still in process, in the form of Veronika's control.

The film is said to be based upon the real-life German film actress, Sybille Schmitz, who died of an overdose in 1955 at the tender age of 45. The film shows shows that the shadow of the war had a lasting effect on the German nation, that would take decades to come to terms with. This is film making par excellence. Haunting, beautiful, with a climax that is inevitable, shocking, but very satisfactory. Rosel Zech's performance is pitch perfect, her face in a constant state of anguish.

www.the-wrath-of-blog.blogspot.com


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