Frank is an expert professional safecracker, specializing in high-profile diamond jobs. After having spent many years in prison, he has a very concrete picture of what he wants out of life--including a nice home, a wife, and kids. As soon as he is able to assemble the pieces of this collage, by means of his chosen profession, he intends to retire and become a model citizen. In an effort to accelerate this process, he signs on to take down a huge score for a big-time gangster. Unfortunately, Frank's obsession for his version of the American Dream allows him to overlook his natural wariness and mistrust, when making the deal for his final job. He is thus ensnared and robbed of his freedom, his independence, and, ultimately, his dream.Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
While James Caan liked the movie, he found the part challenging to play. "I like to be emotionally available, but this guy is available to nothing." See more »
Late in the film, when Frank gets out of his car to plant the bomb at his bar, the Green Mill, the lights used to illuminate the scene are clearly visible in the car door as the door's angle changes. When he opens the car door to get back in, the lights are visible again. See more »
I got some A-B-C type information for you, lady. I was state-raised, and this is a dead place. A child in eight-by-four green walls, after awhile you tell the walls 'my life is yours.' What, didja grow up in the suburbs?
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The Criterion Collection's Blu-Ray and DVD edition of Thief is a sort of hybrid between the theatrical version and the director's cut. The early scene from the director's cut with Willie Dixon has been added back in, but the rest of the film is the theatrical version, with the slow motion shots untouched. See more »
This is one of the few Michael Mann films I can stand to watch. Caan is at his absolute peak here, with his intensity just blazing off the screen. The supporting cast is excellent, the edits are perfect, everything just clicks.
As has been noted by other reviewers, the technical aspects of this film are right on the money. All the locations are really there (or were at one time) and the settings didn't have to be faked up. Yes, Chicago and surrounding Chicagoland is really like this, folks.
I try to watch this thing every few years. Should buy a DVD, I guess, and insert it into my permanent circular film buffer.
Highly, highly recommended.
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