A New York City narcotics detective reluctantly agrees to cooperate with a special commission investigating police corruption. However, he soon discovers that he's in over his head, and nobody can be trusted.
A young district attorney seeking to prove a case against a corrupt police detective encounters a former lover and her new protector, a crime boss who refuses to help him in this gritty ... See full summary »
New York City cop Daniel Ciello is involved in some questionable police practices. He is approached by internal affairs and in exchange for him potentially being let off the hook, he is instructed to begin to expose the inner workings of police corruption. Danny agrees as long as he does not have to turn in his partners but he soon learns that he cannot trust anyone and he must decide whose side he is on and who is on his.Written by
Josh Pasnak <email@example.com>
Gino Mascone's wife's name is listed as Ann in the credits, but she is repeatedly referred to and addressed as Rose in the film. See more »
Always when I hear you, or Gus, or Joe, any of the guys, you always say nothing's worse than to be a r...
A rat. A rat is when they catch you and make you inform. Nobody caught me. This is my setup, this is my action. And I'm never gonna hurt my partners.
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The film originally premiered on TV in a version broadcast over 4 hours (running no longer than 196 minutes), including previously unseen material which had been cut from the 167-minute theatrical release. Among the restored scenes is one that makes more sense of the DiBenadetto Case (the character Ciello's first rat-job). See more »
Treat Williams plays a corrupt New York narcotics detective who tries to redeem himself by volunteering to go undercover on the force to weed out other corrupt policeman only to find himself facing an increasingly difficult series of moral dilemmas involving his former partners. This intelligent film is possibly the best cop film ever made. Treat Williams delivers the best performance of his career although the excellent supporting cast, Jerry Orbach, in particular, comes very close to stealing the movie right out from under him. Williams is so good here that you can't believe he is the same guy who later appeared in "Dead Heat." (What happened?) Director Sidney Lumet, who also co-wrote the insightful, penetrating script with Jay Presson Allen, was never better. He does such a great job that you can't believe he's the same guy who directed "Family Business." (What happened?) The film is long, but you never lose interest. A must see.
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