A suburban housewife's world falls apart when she finds that her pornographer husband is serially unfaithful to her, her daughter is pregnant, and her son is suspected of being the foot-fetishist who's been breaking local women's feet.
Notorious Baltimore criminal and underground figure Divine goes up against a sleazy married couple who make a passionate attempt to humiliate her and seize her tabloid-given title as "The Filthiest Person Alive".
A talented young photographer, who enjoys snapping photos of his satirical, perverted Baltimore neighborhood and his wacky family, gets dragged into a world of pretentious artists from New York City and finds newfound fame.
A day in the lives of a hit-and-run driver and her victim, and the bizarre things that happen to them before and after they collide (sexual assault by a crazed foot-fetishist, visions of ... See full summary »
Francine Fishpaw is an upper middle class suburban housewife in Baltimore. Unfortunately for this "good Christian woman", the money to support her lifestyle comes from her husband's porno theater, the neighbors are protesting, her son is the notorious "Baltimore Stomper", her daughter is knocked up by a local hoodlum, and her husband is having an affair with his secretary.Written by
Stephen J. LeBlanc <email@example.com>
Most of the actors and actresses from the Dreamlanders acting troupe who had appeared in earlier John Waters movies in major parts appeared in more minor and supporting roles in this John Waters film. See more »
In the opening scene in the living room, as the Fishpaws are arguing, a boom mic is visible. This was corrected for later DVD releases. See more »
Come on, Sandra. Get dressed. Let's go to some snazzy cocktail lounge and celebrate my new freedom.
But Elmer, what about Dexter and little Lu-Lu?
Those two little bastards are a perfect argument for birth control. Children would get in the way of our erotic lifestyle!
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During the credits, the title song "Polyester" describes the action seen on screen, leading the audience through a helicopter shot of the suburbs into Francine's house (commenting on its French Provincial decor) and upstairs to meet her. See more »
It's good that everything is done up in ridiculous fashion, otherwise the pranks would be too mean-spirited to sit through. Everyone comes in for their share of abuse, some funny, some not so. No doubt, the movie is strictly a matter of taste. Waters takes a shot at social mores, marriage especially. Poor wife Francine's life is in an ongoing crisis, from foot-stomping son to slutty daughter to philandering husband to abusive mother. Only gap-toothed Cuddles provides relief. That is, until handsome Tod (Hunter) cozies up. But is he too good to be true.
This may be the most kinetic movie I've seen in a while. The performers are in constant motion such that dialogue gets delivered on the fly. It's like Waters doesn't want to risk a revealing pause. I'm sure Waters would hate it, but I suspect there's a moral at work here. Namely that true repulsiveness comes from within and not from without. Note that the repulsive looking Francine and Cuddles are the most sympathetic characters, while the other more normal looking or attractive are callous in some exaggerated way. I was curious to see a Waters film since this one and others were much ballyhooed at the time. Though well made, I frankly wasn't impressed much one way or the other. But I can see why it's attracted a cult following among fans of the outrageous.
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