Three Italian-American brothers, living in the slums of 1940's New York City, try to help each other with one's wrestling career using one brother's promotional skills and another brother's con-artist tactics to thwart a sleazy manager.
In a future, where most of mankind and technology is wiped out, 6 people travel from place to place playing a brutal form of football with a dog skull. They hope one day to play in the league in a city.
The bounty hunter Nick is offered $250,000 by CIA to get the terrorist behind the bombing of an LA movie theater. Nick quit CIA - he couldn't trust them. Can they be trusted now and can he stop the terrorists before...?
Deke DaSilva and Matthew Fox are two New York City cops who get transferred to an elite anti-terrorism squad. About this same time, an infamous international terrorist shows up in New York City looking to cause some chaos. It's up to DaSilva and Fox to stop him, but will they be in time...?Written by
This movie premiered three years after another film which had the same title. Nighthawks (1978) was a very different film, a drama about a gay male schoolteacher. See more »
When Deke is firing a revolver at the police target range, the paper target's holes face towards him as if a small explosion went off behind them (squibs). Also the wires that held and were used to detonate the squibs are seen hanging out of the holes. Real police bullets leave small holes in paper targets. See more »
Written by Billy Powell (uncredited), Dale Krantz (uncredited) and Barry Lee Harwood (uncredited)
Performed by The Rossington Collins Band (as Rossington Collins)
Courtesy of MCA Records See more »
Long before terrorism was on the minds of most Americans, NIGHTHAWKS tackled the thorny topic. Sylvester Stallone and Billy Dee Williams are decoy cops -- that is, they venture into rough neighborhoods to bait muggers and other forms of scum -- assigned to track down the cold and calculating Rutger Hauer. It seems the devious mastermind has landed in the media capital of the world, New York City, to try and regain his place among the terrorist elite.
Although it's a fairly decent action/suspense effort, NIGHTHAWKS is difficult to recommend unconditionally. The performances are certainly solid; in fact, it's hard to remember Stallone, here sporting a thin beard, being so effective outside of boxing trunks. The action is crisp and exhilarating, with one pursuit through subterranean New York deserving of a place in the Chase Hall of Fame. The story is original and much of the plot intriguing. And Hauer, in his American film debut, is a suitably hateful villain, with his motives all to familiar to contemporary audiences.
Yet NIGHTHAWKS is not quite as good as the sum of its parts. Even though the film starts out with a bang -- literally -- there's somehow too much build-up and not enough execution. The movie has not aged particularly well, and despite its 1981 release date has the feel of a '70s period piece. And as good as Hauer is, his character is a little too incredible to believe as he pulls off massive acts of terror with little or no sponsorship; what should take a team of experts is accomplished by one man wanted by countless law enforcement agencies.
In the end, NIGHTHAWKS is a movie you're bound to like -- either a little bit or a lot. Considering the high ratio of garbage that has and will continue to spew out of Hollywood, I guess that's not such a bad thing.
12 of 15 people found this review helpful.
Was this review helpful to you?
| Report this