An American grandson of the infamous scientist, struggling to prove that his grandfather was not as insane as people believe, is invited to Transylvania, where he discovers the process that reanimates a dead body.
A psychiatrist with intense acrophobia (fear of heights) goes to work for a mental institution run by doctors who appear to be crazier than their patients, and have secrets that they are willing to commit murder to keep.
From the dawn of man to the distant future, mankind's evolution (or lack thereof) is traced. Often ridiculous but never serious, we learn the truth behind the Roman Emperor, we learn what really happened at the Last Supper, the circumstances that surrounded the French Revolution, how to test eunuchs, and what kind of shoes the Spanish Inquisitor wore.Written by
Murray Chapman <email@example.com>
The person responsible for the matte paintings, Albert Whitlock, was drafted to appear in front of the camera. He is the gentleman with the prominent English accent selling used chariots. See more »
In the beginning of the Roman Empire Segment, one of the running jokes was the use of a V in place of a U. It seems that great care was taken to do this on every sign. Except the Annual Orgy sign which has two Us on it that were not changed to Vs. U's are also visible on the "Equal Opportunity Employer" sign at the Unemployment Office. See more »
At the end of the movie there is a teaser-trailer for a (never to be released) History of the World: Part II, featuring a Viking burial, a "Hitler on Ice" number and a science fiction "Jews in Space". See more »
The German TV version is missing the "Hitler on Ice" segment during the finale. Also, there is a small bit missing in the stone age segment, showing the invention of art (wall painting), and the first critic taking a leak on the masterpiece. See more »
Although it is aged around the edges, History of the World is one of my favorite comedies. Admittedly, I have a good 100 in my "favorites" list, but HotW is definitely in the top 25. It is pure enjoyment and while sometimes raucous, it is never raunchy. Tactless, but never dumbed down, and that makes for the best kind of comedy.
In true Brooks fashion, this work takes you from a parody of life to a satirical pop-culture vehicle. Unfortunately, the many late 1970's pop-culture references throughout the dialog is what dates this work. Otherwise, it would still be fresh, today.
Led by Mel Brooks's polished stylized direction, this work is not only hilarious, but is clever in its irony. It never takes itself too seriously, and delivers with every scene.
If you liked Wholly Moses, you will LOVE this!
It rates a 6.4/10 from...
the Fiend :.
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