Furillo breaks the news of Esterhaus's death. Bates is given serious consideration for Sergeant. Coffey's girlfriend is sexually assaulted. Belker goes undercover as a truck driver to try and catch ...
"Hill Street Station" introduces us to the many stories on the street, in the squad room, and in the homes of both the uniform and plainclothes officers at Hill Street. After Sergeant Phil Esterhaus ...
Sam McCloud is a Marshal from Taos, New Mexico, who takes a temporary assignment in the New York City Police Department. His keen sense of detail and detecting subtle clues, learned from his experience, enable him to nab unsuspecting criminals despite his unbelieving boss.
The original "ensemble drama," this is the story of an overworked, under-staffed police precinct in an anonymous inner city patterned after Chicago. We follow the lives of many characters, from the lowly beat and traffic cops to the captain of the precinct himself. This is the show that blazed the trail followed later by such notable ensemble dramas as "St. Elsewhere" and "L.A. Law."Written by
Dennis Franz appeared earlier on the show in the role of dirty cop Sal Benedetto, before taking on the role of Lt. Norman Buntz. See more »
When the various characters speak into the radio microphone in their patrol cars, they seldom press the "transmit" switch, and Andy Renko is occasionally seen speaking into the back of the microphone. See more »
This TV series is a testament to Brandon Tartikoff, who was then head of Entertainment at NBC, who championed this show and stayed with it because he knew that this was a groundbreaking show.
I remember watching the pilot for this show way back in high school. It was unlike anything I had ever seen on television. I remember the episode when the characters Renko and Bobby Hill were shot and lying in the hallway, and you had no idea if they were alive or dead. I remember gasping out loud. Stuff like that just wasn't on TV at the time.
Ensemble casts, story lines that continued for weeks at a time, and truly compelling, realistic writing. Television was pretty much a wasteland back in 1981 -- and unfortunately, has gotten far, far worse -- and this show, which took a year to find a permanent spot on NBC's lineup and introduced the whole concept of the landmark Thursday night at 10 pm drama on NBC.
Another testament to this show is that in one year every single Emmy nomination for the outstanding supporting actor in a drama series category was for a cast member from Hill Street Blues. That was, and still is, unprecedented stuff. I had the pleasure of taping the show as it came on late night on one of the local channels here in NYC several years ago. Brilliant, and still holds up well. What I would give for something similar to blanket the vapid horizon that is network television today.
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