Furillo breaks the news of Esterhaus's death. Bates is given serious consideration for Sergeant. Coffey's girlfriend is sexually assaulted. Belker goes undercover as a truck driver to try and catch ...
"Hill Street Station" introduces us to the many stories on the street, in the squad room, and in the homes of both the uniform and plainclothes officers at Hill Street. After Sergeant Phil Esterhaus ...
Sam McCloud is a Marshal from Taos, New Mexico, who takes a temporary assignment in the New York City Police Department. His keen sense of detail and detecting subtle clues, learned from his experience, enable him to nab unsuspecting criminals despite his unbelieving boss.
The original "ensemble drama," this is the story of an overworked, under-staffed police precinct in an anonymous inner city patterned after Chicago. We follow the lives of many characters, from the lowly beat and traffic cops to the captain of the precinct himself. This is the show that blazed the trail followed later by such notable ensemble dramas as "St. Elsewhere" and "L.A. Law."Written by
The opening credit sequence was shot in Chicago, while the episodes themselves were shot in Los Angeles. Location scouts said it was hard to find Los Angeles locations for the show because they could not have visible palm trees. Most of the "grittier" exterior scenes were shot in the grimier parts of downtown Los Angeles, which has the look of a decaying Midwestern or Northeastern city. At least the first episode (possibly as many as the first three) was shot on-location in Chicago. See more »
The Hill Street Precinct E.A.T. van, which is also used as the van that the Polk Ave. Precinct used to drop the homeless off on the Hill, is number 2227. There is also a squad car with the same number. The same with 2225, which is used on a larger newer E.A.T. van as well as the number for a squad car. Each number should have only been used one time. See more »
During an era of cop shows where the main characters were often portrayed as superheroes or as charicatures, this priceless classic was born. For the first time since the days of Jack Webb and Joseph Wambaugh, we finally had a show that showed police as real people with all the faults and failings that all people had. You had Furillo, who was a recovering alcoholic, Renko and Hill, who were dealing with their own fears, Hunter, the reactionary head of the S.W.A.T. team, Bates, who just wanted to prove that she was a good police officer as well as a woman, Belker, the maniacal undercover cop, and of course the fatherly Sgt. Phil Esterhaus, the father figure for the whole squad. This show definitely set the stage for shows like N.Y.P.D. Blue and the Law and Order franchise and will always be a classic.
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