J.R. Ewing, a Texas oil baron, uses manipulation and blackmail to achieve his ambitions, both business and personal. He often comes into conflict with his brother Bobby, his arch-enemy Cliff Barnes and his long-suffering wife Sue Ellen.
The residents of Knots Landing, a coastal suburb of Los Angeles, deal with various issues such as infidelity, health scares, rape, murder, kidnapping, assassinations, drug smuggling, corporate intrigue and criminal investigations.
Blake Carrington has just been released from prison and he is trying to reclaim his empire. And he is also reunited with his beloved Krystle, who until recently was in a coma for sometime. ... See full summary »
A wealthy mystery man named Charlie runs a detective agency via a speakerphone and his personal assistant, John Bosley. His detectives are three beautiful women, who end up in a variety of difficult situations.
The saga of a wealthy Denver family in the oil business: Blake Carrington, the patriarch; Krystle, his former secretary and wife; his children: Adam, lost in childhood after a kidnapping; Fallon, pampered and spoiled; Steven, openly gay; and Amanda, hidden from him by his ex-wife, the conniving Alexis. Most of the show features the conflict between 2 large corporations, Blake's Denver Carrington and Alexis' ColbyCo.Written by
Dynasty was a huge favorite of myself and my friends, and I have many memories of discussing the show with them either over the phone as it was happening or the next day. The Carringtons were created to compete with the highly successful Dallas and Ewings of South Fork, but Dynasty was never a copycat show. While Dallas certainly focused on the soap opera elements common to all these programs, J.R.'s sliminess in business was a focal point. Dynasty was about obvious, over the top luxury and family with some camp elements included that made it special. What I loved about Dynasty was that, at least in the beginning, it was never camp for camp's sake - the camp was part of the show. For instance, when the casting of Fallon changed, the portrait of the old Fallon that hung over the fireplace was quietly replaced with a painting of the new one, Emma Samms, that looked like a paint by the numbers from Woolworth's. And of course, Joan Collins' Alexis had camp built right into the character. And there was Steven's plastic surgery...so many happy moments.
And no other show could boast the wardrobe of Dynasty, or the beauty of Linda Evans. I can still see her, bedecked in diamonds, walking toward Blake in a blue gown slit all the way up her thigh.
For me, once they had Alexis disguised as a nun and the whole Moldavian thing started, the show became self-conscious camp, as these shows often do, and I lost interest. But certainly Dynasty was a bright spot in the '80s and for a time, you couldn't beat it.
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