During the '35th Cannes International Film Festival' (14th-26th May 1982), German director Wim Wenders asked a sample of 15 other international film directors to get, each one at a time, ... See full summary »
On location in Portugal, a film crew runs out of film while making their own version of Roger Corman's Day the World Ended (1955). The producer is nowhere to be found and director Friedrich... See full summary »
The most complete, newly restored version of Nicholas Ray's experimental masterpiece embodies the director's practice of film-making as a "communal way of life." Ray plays himself in the ... See full summary »
In 17th-century Salem, Hester Prynne must wear a scarlet A because she is an adulteress, with a child out of wedlock. For seven years, she has refused to name the father. A vigorous older ... See full summary »
A rare gem of cinematic storytelling that weaves docudrama, fictional reenactment, and experimental photography into a powerful, reflective work on the early days of German cinema. The film... See full summary »
Experimental anthology film consisting of nine segments - Contrasts, The Janitor, The Plumber, Another Wet Dream, The Happy Necrophiliacs, On a Sunday Afternoon, A Face, Politfuck, Flames - all focused on 70s sex, love and politics.
Director Nicholas Ray is eager to complete a final film before his imminent death from cancer. Wim Wenders is working on his own film Hammett (1982) in Hollywood, but flies to New York to help Ray realize his final wish. Ray's original intent is to make a fiction film about a dying painter who sails to China to find a cure for his disease. He and Wenders discuss this idea, but it is obviously unrealistic given Ray's state of health.Written by
Karl Engel <firstname.lastname@example.org>
The film is about... a man who wants to bring himself all together before he dies. A regaining of self esteem. A once, very highly successful man.
I was getting very confused. Something was happening. Each time the camera was pointed at Nic - something that I had no control of. It was in the camera itself. It was looking at Nic through the viewfinder. Like a very precise instrument, the camera showed clearly and mercilessly... that his time was running out. No, you couldn't really ...
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After Nicholas Ray died, Wenders was too depressed to help edit the film, so he left it to Peter Przygodda. Przygodda spent a year working on it and this was the 116-minute version shown at the Cannes Film Festival. Wenders however, was disturbed by this version and found it depressing and obscure. He spent three months with Chris Sievernich re-editing the film. Aside from cutting more than 25 minutes, he added more footage of Susan as well as his narration of Ray's diary. This 91-minute version is the one distributed by the Wim Wenders Foundation. See more »
this is a film i forced myself to watch in order to complete a speech in german about wim wender's amerkiabild. it is all about the death of a cancer ridden man. that is about all of the plot i could figure out.
the images, as is usual with wender's films, are striking and pungent to the hollywood-movie-goer senses. the scenes in this movie are about the slowest i have ever seen. i did find a few rewarding scenes here and there scattered throughout the chaos. the graduate monkey, the speech at vassar college, and the alarm clock scene to mention a few.
that is about all i know on this one.
i give it two riders of the apocalypse.
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