Almost in breadth and depth of a documentary, this movie depicts an auto race during the 70s on the world's hardest endurance course: Le Mans in France. The race goes over 24 hours on 14.5 ... See full summary »
Lee H. Katzin
In order to track down bail jumpers, Ralph 'Papa' Thorson goes on a series of routine and not-so-routine searches. Sometimes he takes down his quarry easily. At other times, he's forced to extreme measures which result in the injury or death of a lawbreaker. And then again, there are other moments when his own life is on the line. It's all enough to make Thorson question what he has done with his life.Written by
In the Chicago train sequence, when the train they are on leaves the station it has four cars. In the tunnel scene when they get off of the train and the train pulls away, there are more than four cars. See more »
The US release features a score by French composer Michel Legrand, one sequence is scored by 'Charles Bernstein'. The European dubbed versions (in French, Spanish, Italian, and German) feature only the music of 'Charles Bernstein'. Omitted in these versions are also the passages of source music from McQueen's/Papa's radio (Opera). The region 1 DVD made by Paramount for the US market features only the American version. The region 2 DVD also made by Paramount, this time for the European market, features both scores: Legrand's score on the English language track, Bernstein's score on the tracks in Spanish, French, Italian, and German. See more »
When i decided to watch all of Steve McQueen's films, i went the opposite direction and watched this film first, rather than starting with his early films. There seems to be a curse with great actors doing terrible films right before they pass away. Robert Shaw, Bette Davis, Peter Sellers, Henry Fonda (Fonda seemed to have appeared in just about every disaster film before his death in 1981), to name a few. I beg to differ in Steve McQueen's case. Sure this film isn't an earth shattering, Oscar winning experience. Sure this film seems like it was made for TV. Sure this film isn't McQueen's best work. But the great acting alone from McQueen, good supporting work from LeVar Burton and Eli Wallach, and the great subway chase at the end of the film, certainly raises this film above made for TV fare. So, to you Leonard Maltin, this film is NOT McQueen's worst film. It's a fine end to a great career for the King Of Cool.
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