Kevin is wandering through the confused haze that most college students pass through at one time or another: lectures that make little - if any - sense, pranks by the fraternities and ... See full summary »
A man and a woman go out on a "big" third date. He's ashamed to admit he just lost his job, and she's afraid he'll run away if he finds out that she has a kid. Small lies lead to bigger ones and the night gets crazy very soon.
Henry Steele is a basketball phenom at his small town high school, but when he matriculates to a big city university on a scholarship, soon realizes that he has few skills outside the sport... See full summary »
Ted Andrews persuades his ex-wife Sandy to let their children accompany him on a journey on his multi-million dollar yacht to Australia, where he wants to sell it. However after a few days ... See full summary »
College student Wes agrees to be a test subject in a psychological experiment involving shock treatments. The experiment goes wrong, but he and the cute scientist Susan who performed the experiment hit it off right away. Unfortunately, she's already engaged to a sleazy rich guy called Whitley whom her elitist mother adores. Wes and Susan get some help in dealing with the situation from her down-to-earth rich granddad who suspects Whitley is only with Susan for her money.
Hilarious, Old-Time Film With Great Supporting Performances
This little seen film, which I caught for the first time over twenty years ago, is a wonderful throwback to 1930's screwball comedy in more ways than one. Young hick (Busey) starts college at the University of Minnesota, and falls in love with debutante O'Toole, despite her mother's intentions to marry her to society dolt Calvin. What ensues are a series of pratfalls and slapstick bits that, while not terribly deep, are nonetheless quite funny. More importantly, Busey and O'Toole are so damn likeable, you really do want them to fall in love.
But, like all great 1930s comedies, what makes the film sparkle is not the lead performances (in the 30s, these were usually played by likeable ingenues without much depth), but by the character actors who formed the background for the story. This film is no different in that the film is practically stolen from the leads by three splendid supporting performances -- Cloris Leachman as O'Toole's society-conscious mother, Eddie Albert as O'Toole's crusty grandfather and Busey's boss, and especially Tony Randall as Leachman's butler. Randall's performance deserves special note because his stiff demeanor is beautifully contrasted with his profane and off-color dialogue (the final words we hear from him, behind closed doors, almost made me fall off my chair laughing).
While no masterpiece, this is a wonderful picture to watch if you'd like a brief look at a long lost style of filmmaking.
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