When his girlfriend becomes dangerously obsessed with a ghost she contacted using a ouija board, Jim reluctantly joins forces with her ex - his own estranged childhood best friend - to identify and exorcise the evil spirit.
A baby alligator is flushed down a Chicago toilet and survives by eating discarded laboratory rats injected with growth hormones. The small reptile grows gigantic, escapes the city sewers, and goes on a rampage.
Michael V. Gazzo
According to the Science Fiction, Horror and Fantasy Review, "David Seltzer has taken the basics of Prophecy (1979) from a real-life apocalypse - the environmental disaster in the Japanese city of Minimata, which came to light in 1958 where it was discovered that mercury waste being dumped into a nearby river from a chemical plant had caused severe mutations and neurological degenerations among the locals. The effects of this consisted of loss of muscular control, vision and hearing, followed eventually by insanity and paralysis". See more »
Clear use of wires when Hawk is thrown by bear. See more »
Rob, what is it?
Dr. Robert Verne:
It's methylmercury poisoning, that's what it is. This whole place has been contaminated.
How do you know?
Dr. Robert Verne:
The Indians eat the fish, and they behave like they're drunk when they haven't had a drop of liquor. That raccoon convulsing and turning vicious, its brain turned to mush. Even that old man, that Indian, you saw the burns on his fingers.
Is that from mercury?
Dr. Robert Verne:
It's from cigarettes; the reason he didn't feel it is from mercury. You see, it acts on the nervous system; it ...
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ABC edited 7 minutes from this film for its 1983 network television premiere. See more »
Prophecy the movie is more complex than is being given credithere.
Reviewers of the film are quick to undercut its actual effectiveness as a film without realizing that many parts of the film succeed, including the tension of the characters against the beast, the horror of the beasts' attacks, the helplessness of man within nature, etc. Reviewers would be accurate to attack the cheesy effects, hokey dialogue at times and overall loss on energy in the film toward the climax, but there's much more going on here.
Prophecy is, at best, a) a departure for John Frankenheimer, b) a 70's horror movie with a social conscience and, c) not withstanding amateurish special effects, predictable dialogue and long-view shots of Talia Shire looking petrified beyond speech, an actually entertaining, somewhat surprisingly satisfying film. The novel created an intelligent, often compelling case for early environmentalism and the frightening consequences of doing nothing in light of the dangerous contamination of the Earth. Prophecy as a film suffers from a deplorable special effects deficiancy (case in point: at one point in the film, the monster is clearly "walking" on the dock with the courtesy of a mechanical dolly and hydraulic levers...uggh) as said before, but looking beyond this, the film's plotline does build tension, though it loses steam in the end, concluding with a rather lamely tacked-on "surprise" ending that is more befitting of the TV networks in the 70's. Frankenheimer captures a "land-locked" Jaws-like eating machine on film with a vengeance, and the subsequent carnage is, while unfortunate, in light of the circumstances that created the beast, understandable. The focal point of the movie, the beast itself, operates as a deranged ecological locomotive ( actually sounding like one onfilm at times ) hell-bent on taxing mankind for its misfortune.
Remarkably ( and most likely accidentally) the film achieved a perfect "of the moment" time slice capture of the late 70's era, replete with the worries, political movements, ambiguities and uncertainties of the time all woven within the backstory of the Indian's struggle against the papermill, global overpopulation, bigotry and commercialization at the expense of nature.
Beautiful scenery ( courtesy of British Columbia, circa 1978/1979), believable performances, particularly from Richard Dysart and Armand Assanti, combined with circumstances and sequences never actually realized on film before combine to make a pretty meaty B movie. Case in point, the opening sequence with the dogs and the cliff, the tunnels of the Indian village and their subsequent use later in the film. I saw this film when I was 11, and the memory of the camping family and their fate in the film has YET to leave me. Don't think I've ever camped again without recalling that scene...
I recommend the film without taking it as seriously as it seems to take itself, though the message of environmentalism is one worth listening to. The plot device of methyl mercury poisoning in Minimata, Japan is based on true life actual events, and is considerably more frightening than the sum of this movie, but is worth researching sometime.
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