Shortly after the launch of a satellite from a space shuttle the satellite collides with a UFO in front of the crew's eyes. Because of an election campaign some politicians try to hide the ... See full summary »
James L. Conway
A ruthless pirate captures the keeper of a lighthouse, in the most southern city in Argentina. His goal is obvious and horrific. He plans to control the lighthouses signals in a way that the passing ships will be crushed on the rocks.
The year is 1990. An alien species makes contact with Earth through radio transmission, notifying of an imminent visit. An alien ship crash lands on Mars, and a rescue team is sent from ... See full summary »
Lone survivor, doctor Robert Neville, struggles to create a cure for the plague that wiped out most of the human race while fighting The Family, a savage luddite death cult formed by the zombie-like infected to erase the past.
Two lovers stationed at a remote base in the asteroid fields of Saturn are intruded upon by a retentive technocrat from Earth and his charge: a malevolent eight-foot robot. Remember, in space, no one can hear you scream.Written by
Keith Loh <firstname.lastname@example.org>
It took seventy-nine craftsmen four months to build the massive interior set for the moon research station. See more »
(at around 56 mins) Benson strikes Adam on the head with a lamp. It leaves a bloody gash that comes and goes during the ensuing chase scene. See more »
Captain James, your presence on pad 73, immediate, urgent.
See more »
A scene of Adam and Alex taking a recreational blues pill was cut from the original UK cinema version in order for the film to receive an 'A' (PG) certificate. The scene was restored for the later 15-rated video version. See more »
Outstanding set design and a good premise let down by dull direction and sloppy editing.
The talent working on this film should have meant the end product was a lot more coherent than it actually was.John Barry who was involved with a story credit but was production designer for Star Wars and Superman must have had a big hand in the set design for this film as it looks incredible.The sets are so good they are a character in themselves and lend effectively to creating a sense of isolation.The sets remind me of Alien,yes they are that good which would be testament to the brilliance of Barry.Its a shame then that the rest of the film is rarther poor.It shows glimpses of promise but seems to falter just as its picking up.An expressionless Harvey Kietel seems dubbed and gave a physically hollow performance alongside an energetic Kirk Douglas and an airhead Farrah Fawcett.The visual effects are actually OK but the film seems to be missing big chunks and i get the feeling there's a version out there on the cutting room floor that is actually a lot better than what we have here.This film could probably be remade quite successfully,it has a great premise and is lacking a quality director to see it through. 6/10
13 of 15 people found this review helpful.
Was this review helpful to you?
| Report this