The residents of a suburban high-rise apartment building are being infected by a strain of parasites that turn them into mindless, sex-crazed fiends out to infect others by the slightest sexual contact.
After developing an addiction to the substance he uses to kill bugs, an exterminator accidentally kills his wife, and becomes involved in a secret government plot being orchestrated by giant bugs in a port town in North Africa.
The famous drag racer Lonnie 'Lucky Man' Johnson is the star of the Fast Company, managed by the corrupt Phil Adamson Lonnie is the mentor of the promising funny car racer Billy 'The Kid' ... See full summary »
After getting into a serious car accident, a TV director discovers an underground sub-culture of scarred, omnisexual car-crash victims who use car accidents and the raw sexual energy they produce to try to rejuvenate his sex life with his wife.
A man's wife is under the care of an eccentric and unconventional psychologist who uses innovative and theatrical techniques to breach the psychological blocks in his patients. When their daughter comes back from a visit with her mother and is covered with bruises and welts, the father attempts to bar his wife from seeing the daughter but faces resistance from the secretive psychologist. Meanwhile, the wife's mother and father are attacked by strangely deformed children, and the man begins to suspect a connection with the psychologist's methods.Written by
Ed Sutton <email@example.com>
The nursery murder is considered one of the scariest movie scenes ever. See more »
In the watching after his daughter (Candy) going into the school doorway scene, the other leaving woman (Mother?: in red coat) there is shown turning and leaving from the shot: next shot from rear of (Candy's father) Frank (A. Hindle) at distance looking on, shows the same person (Mother?) still dropping off her child and once again turning to leave. See more »
Thirty seconds after you're born you have a past and sixty seconds after that you begin to lie to yourself about it.
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Special thanks to Dr. Denton: Sleepware. See more »
Almost all graphic violence was removed by the Ontario Censor Board when the film was first released in Canada. This version was later released on the Astral Video label. See more »
The Brood is undoubtedly the most personal movie Cronenberg ever made : we all know the film describes Cronenberg's vision of his own divorce (and the custody of his daughter Cassandra) ; at that time, his then-wife belonged to what he thought was a cult and he did kidnap his own daughter in order to protect her. Thus The Brood is full of rage, vengeance and death wish It is a truly frightening story and, in its own way, a candid vision of one's personal tragedy. It seems to be a tale from the Grimm brothers, and, at the same time, a reflection on the powerful link between body and spirit. The script is surprisingly complex and rich, even if, in the end, there is definitely something childish in the movie, but in a positive way: the childish belief that "thoughts can kill" only tempered by the final sequence, when we understand that this little girl, so cruelly abused, will eventually reproduce what her mother developed. The image of this mother (Samantha Eggar at her best, revealing her tortured body that evokes a Roman goddess) is one of the most terrifying one in world cinema. The Brood is a key to understand one of the Cronenberg's major themes: the uncanny How what is closest to us, family, mother, grandparents, might suddenly become the ultimate horror. What frightens us is not outlandish or alien, on the contrary, it's always part of our intimate universe (as in Videodrome).
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