At the age of twenty-nine, Elgar Enders "runs away" from home. This running away consists of buying a building in a black ghetto in the Park Slope section of Brooklyn. Initially his ... See full summary »
The bumbling Inspector Clouseau travels to Rome to catch a notorious jewel thief known as "The Phantom" before he conducts his most daring heist yet: a princess' priceless diamond with one slight imperfection, known as "The Pink Panther".
To prove that he still is strong and powerful, Philippe Douvier decides to kill Clouseau. Once news of his "death" has been announced, Clouseau tries to take advantage of it and goes undercover with Cato to find out who tried to kill him.
Simple-minded gardener Chance has spent all his life in the Washington D.C. home of an old man. When the man dies, Chance is put out on the street with no knowledge of the world except what he has learned from television. After a run-in with a limousine, he ends up a guest of Eve and her husband Ben, an influential but sickly businessman. Now called Chauncey Gardner, Chance becomes friend and confidante to Ben, and an unlikely political insider.Written by
Scott Renshaw <email@example.com>
A gay partygoer who thinks Chance has suggested an interest in watching gay sex says, "You wait here, I'll go get Warren." This may be a dig at Warren Beatty. whose heterosexual activity was legendary. The professional and personal relationship between Beatty and Hal Ashby was at times virulent, with Ashby refusing to see Beatty during the waning months of his life. See more »
When the President is shown aboard Air Force One asking aids about "Chancey Gardner", immediately prior is shown a twin engine Boeing 737 taking off. A 737 has never been outfitted as a presidential plane. More accurately, a Boeing 707 taking off should have been shown. See more »
Under the end titles of the theatrical release are outtakes of Peter Sellers as Chance recounting the encounter with Abbaz. Sellers breaks character and laughs during each attempt. The lines do not appear in the movie. Certain versions of the film have credits with white text on a black background without the outtakes. See more »
In different versions, the credits are either shown over retakes of Chance saying a line that was not in the movie, or (for TV and video) shown over TV white noise. See more »
On the face of it, this was always going to be a cinematic treat. Hal Ashby, who in my opinion had the greatest sense of humour in Hollywood directing Peter Sellers, one of the finest comic actors of all time.
What i didn't expect was an excellent supporting cast with superb performances from Shirley MacLaine and Melvyn Douglas and a watertight script from Kosinski. What gave me the biggest pleasure was Ashby's subtle portrayal of his own politics. Sellers' character's rise and rise is set against, in the beginning at least, images of the socially deprived. In most of Ashby's films there is a strong sense of the anti-establishment but what is brilliant in this movie is that Ashby gets inside the establishment to ridicule it and yet at the same time bring across a strong sense of humanity in the richer character's isolation and loneliness.
Politics or not Ashby's perfect pacing bring the best out of Sellers whose film career, Strangelove aside, was hit and miss. This movie is definitely a hit from the most underrated film director Hollywood has ever had the arrogance to forget to miss.
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