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The Shootist (1976)

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3:17 | Trailer
A dying gunfighter spends his last days looking for a way to die with a minimum of pain and a maximum of dignity.

Director:

Don Siegel

Writers:

Glendon Swarthout (novel), Miles Hood Swarthout (screenplay) | 1 more credit »
Nominated for 1 Oscar. Another 1 win & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
John Wayne ... J.B. Books
Lauren Bacall ... Bond Rogers
Ron Howard ... Gillom Rogers
James Stewart ... Dr. Hostetler
Richard Boone ... Sweeney
Hugh O'Brian ... Pulford
Bill McKinney ... Cobb
Harry Morgan ... Marshall Thibido
John Carradine ... Beckum
Sheree North ... Serepta
Rick Lenz ... Dobkins (as Richard Lenz)
Scatman Crothers ... Moses
Gregg Palmer ... Burly Man
Alfred Dennis ... Barber
Dick Winslow ... Streetcar Driver
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Storyline

John Books an aging gunfighter goes to see a doctor he knows for a second opinion after another doctor told him he has a cancer which is terminal. The doctor confirms what the other said. He says Books has a month maybe two left. He takes a room in the boarding house and the son of the woman who runs it recognizes him and tells his mother who he is. She doesn't like his kind but when he tells her of his condition, she empathizes. Her son wants him to teach him how to use a gun. Books tries to tell him that killing is not something he wants to live with. Books, not wanting to go through the agony of dying from cancer, tries to find a quicker way to go. Written by rcs0411@yahoo.com

Plot Summary | Add Synopsis

Taglines:

He's got to face a gunfight once more to live up to his legend once more - TO WIN JUST ONE MORE TIME.

Genres:

Drama | Romance | Western

Certificate:

PG | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

21 July 1976 (USA) See more »

Also Known As:

The Shootist See more »

Filming Locations:

Carson City, Nevada, USA See more »

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Box Office

Gross USA:

$8,091,910

Cumulative Worldwide Gross:

$8,091,910
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Mono

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

To add a sense of realism to John Wayne's character, archive footage from several of his westerns was used to introduce J.B. Books after the beginning credits. Included was footage from Red River (1948), Hondo (1953), Rio Bravo (1959) and El Dorado (1967). See more »

Goofs

When Gilliam picks up Books gun after the bartender shot him, there is red on the end of the barrel, apparently Books blood. When Gilliam shots the bartender, the red is still visible on the end of the barrel, but when he throws the gun away, there is no red on the end of the barrel. See more »

Quotes

Carson City Marshal Walter Thibido: Did you read about the shooting the night before last at the Metropole?
John Bernard Books: No.
Carson City Marshal Walter Thibido: Whoee! That was some shooting. Pulford, he's the faro dealer, got off one round under fire. Straight through the heart., and it measured 84 feet 3 inches. Maybe I'll just send him here, let him deal you a little faro.
See more »

Connections

Features Red River (1948) See more »

Soundtracks

Maple Leaf Rag
(uncredited)
Music by Scott Joplin
[Portion whistled by Ron Howard]
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Frequently Asked Questions

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User Reviews

REAL courage!
17 May 2003 | by Zen BonesSee all my reviews

I've never had much use for the swaggering, tough-as-nails `heroic' John Wayne. Perhaps that style of heroism was all one needed to get by in the ‘old west', but even then, death was not an easy thing to face (I bet most gunslingers and sheriffs' boots were filled with liquid just moments before they bit the dust). Finally, here is a film that looks at what courage is really made up of: the ability to accept limitations, to accept change, to have humility, and to be able to say, `I'm afraid'. The Duke is dying of cancer, in reality and within the plot of this film. He is also a living myth in reality and within the plot of this film. That he chose to play out his swan song as a human legend instead of as a mythic one, must have taken a lot of courage. Imagine the Duke propped on a dainty red pillow upon his saddle! Imagine him showing all the physical signs of the wear and tear that illness and age have bestowed on him. Imagine him allowing us to hear the weakness of his infirm body slipping in the bathtub. Imagine his groans of agony. `Death is a very private thing', his character John Books says, but he is man enough to show us how to do it and do it with dignity, despite the fear. Just imagine The Duke admitting that he's afraid of the dark!

At the period in which this film is set, gunslingers – or `shootists' – were soon to go the way of the horse and buggy. The queen (Victoria) had just died. Electricity, modern plumbing, modern commerce, modern transportation, and creature comforts were beginning to take over (check out the electric ceiling fans and mosaic tiles in the saloon!). Forward to ‘real life'. It is 1976. One by one, the mythic legends created by dime novels and Hollywood movies are being demystified. From Billy The Kid to Buffalo Bill, to Bonnie and Clyde, audiences have been shown for over decade how legends have always been manufactured. There are some who may see this demystification as a negative thing, but when people start adoring soldiers, celebrities and gangsters as something more than human, it's time to set the record straight. That's what all the best films of the seventies did. They broke the myths but they did not break the spirit, for what they did was let US, not the supermen on the screen, become the heroes. We could be afraid, old, young, ill, or weak, and we could feel pain and humiliation. In the process of confronting our limitations we become stronger. To be a stronger human being is to become civilized. Like this film shows us, we CAN reject the gun and join civilization. This film is John Wayne's gift to us. He is enabling us to grow up, to look at the past with respect, but to face the future with responsibility. His John Books is worth more to us than all his superheroes put together. We're all gonna die, we're all afraid, and pain is very, very real. It is in the process of surrendering to this fact with dignity and humility that we in a sense become immortal. To try to live as a superman is to die a fool. Only cowards (and very dangerous people) embrace myths over reality. That dainty red pillow has made The Duke sit very tall in his saddle indeed!


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